tag:blogger.com,1999:blog-182890852024-03-07T19:59:16.979+01:00Ferdinand Von Galitzien#Spreading The Silent News Around The World#Ferdinand Von Galitzienhttp://www.blogger.com/profile/12125691436059972287noreply@blogger.comBlogger652125tag:blogger.com,1999:blog-18289085.post-28274877100308749522013-08-09T08:51:00.002+02:002013-08-09T08:51:18.653+02:00Summertime<!--[if gte mso 9]><xml>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQwBR5GucNOdMLMLu2Cl4kXh-amWCAHSliwtCaYp1X0IQxejvxANqIx3Xt_51ii7TXFlZ5tkQ8AoCKZ7HGaP9HyMeN3kPFzIQuqNY8KDWuMekRm3bS3vtBroQ9BfRTIgLcVb1oKg/s1600/baden-baden-germany-luftschiff-zeppelin-airship-over-town-poster.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQwBR5GucNOdMLMLu2Cl4kXh-amWCAHSliwtCaYp1X0IQxejvxANqIx3Xt_51ii7TXFlZ5tkQ8AoCKZ7HGaP9HyMeN3kPFzIQuqNY8KDWuMekRm3bS3vtBroQ9BfRTIgLcVb1oKg/s200/baden-baden-germany-luftschiff-zeppelin-airship-over-town-poster.jpg" width="149" /></a></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">"Summertime,
and the livin' is easy for this German count,</span></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">The Sturgeons
are jumpin' and the caviar's so fine.</span></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Oh, your daddy's
rich and your mama's good lookin'</span></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">So hush, hush
little baby; don't complain of such a good life.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">One of these
mornings you're gonna rise up angry,</span></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">And takin' your
whip you'll hit all your servants,</span></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">So till that
morning comes, there's nothin' can harm you</span></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">With your
watchman, your watchman Herr Graf standin by”.</span></div>
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<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">It's time to
close the Schloss as the aristocratic summer holiday has begun!.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr Graf Ferdinand Von Galitzien </span></div>
<div class="blogger-post-footer"><a href="http://technorati.com/faves?sub=addfavbtn&add=http://ferdinandvongalitzien.blogspot.com"><img src="http://static.technorati.com/pix/fave/tech-fav-1.png" alt="Add to Technorati Favorites" /></a></div>Ferdinand Von Galitzienhttp://www.blogger.com/profile/12125691436059972287noreply@blogger.com8tag:blogger.com,1999:blog-18289085.post-11492156338850459232013-08-07T07:39:00.000+02:002013-08-07T07:39:24.094+02:00"Atanasio Busca Novia" (1925) By Félix González Berenguer<!--[if gte mso 9]><xml>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH9ipZ9MShbel-yjojMpvrrksAk4n9WqRB99NVOCWlZCghuMVm_zdXFm8yeVD2oaDMS4eAOT6PJvVVImhQDkjElahu1-t1D48_DyEp6hZLoY3kWuR9PUdICrW6HXdY8MfcuJu04g/s1600/Atanasio.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH9ipZ9MShbel-yjojMpvrrksAk4n9WqRB99NVOCWlZCghuMVm_zdXFm8yeVD2oaDMS4eAOT6PJvVVImhQDkjElahu1-t1D48_DyEp6hZLoY3kWuR9PUdICrW6HXdY8MfcuJu04g/s200/Atanasio.png" width="200" /></a><span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">Even
a German count so distant from the Basque Country as this Herr Graf knows well
that inhabitants of that place have always had serious problems with
flirting.<span style="mso-spacerun: yes;"> </span>That’s precisely the subject
of the short comedy “Atanasio Busca Novia” (1925) directed by Félix González
Berenguer “Lisfe-Gon-Ber”.</span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">In
this mad Basque silent comedy, youngster Herr Atanasio; a madcap womanizer
wants to flirt with Frau Consuelo, but unfortunately, the latter already has a
suitor, Herr Benjamin who obviously doesn't appreciate Herr Atanasio’s loving
intentions towards his fraulein.<span style="mso-spacerun: yes;"> </span>Frau
Consuelo’s father favors Herr Benjamin and will assist in<span style="mso-spacerun: yes;"> </span>keeping Herr Atanasio away from the sphere of
action surrounding his daughter.<span style="mso-spacerun: yes;"> </span></span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">Immediately
a frantic chase begins, extending around the town where many people are seen
hunting Herr Atanasio.<span style="mso-spacerun: yes;"> </span>Finally our hero
manages to escape his pursuers, ending the story with a triumphant carriage
ride through town, Frau Consuelo at his side.</span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">“Atanasio
Busca Novia” is slapstick comedy; that is it has every subject of such a film's
sub-genre; a catalogue of classic film gags that since the beginning of comedy
have always worked.<span style="mso-spacerun: yes;"> </span>Consequently there
are in this short film; a mad chase, pies in the face, pratfalls, overacted and
mimicked performances, everything necessary to easily provoke laughter from the
audience.</span></div>
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<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">To
have to resort to such classic gags seems too late for a film made during the
mid 20’s; a comedy formula that certainly always works, the slapstick, ja
wohl!, but certainly not very original.<span style="mso-spacerun: yes;">
</span>Such lack of creativity can be forgiven due to its sincere aim to simply
entertain and amuse the audience without any false pretension of a higher art
form.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">And
now, if you'll allow me, I must temporarily take my leave because this German
Count must breakfast a delicious Basque tuna pot.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">Herr
Graf Ferdinand Von Galitzien</span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">-/-</span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">Incluso un conde germánico tan distante
del País Vasco como es éste que les habla, tiene conocimiento de las grandes
dificultades que han tenido, a lo largo de los tiempos, los habitantes de dicho
lugar para flirtear y esto es precisamente lo que expone el cortometraje
“Atanasio Busca Novia” (1925) dirigido por Herr Félix González Berenguer
“Lisfe-Gon-Ver”.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">En ésta alocada comedia vasca se puede
ver como el jovenzuelo Herr Atanasio, todo un donjuán éste…, intenta flirtear
con Frau Consuelo, aunque desafortunadamente para él, la susodicha ya dispone
de un pretendiente, Herr Benjamín, el cualo obviamente no gusta en absoluto de
las intenciones amorosas que intenta con su novia; el padre de Consuelo también
se halla por los alrededores y ayudará a Herr Benjamín a echar del radio de
acción de su hija a Herr Atanasio.</span></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">Inmediatamente una frenética persecución
dará comienzo por todo el pueblo en donde más gente se verá involucrada en la
caza de Herr Atanasio, consiguiendo finalmente éste último librarse de todos
ellos e iniciar un paseo en coche con Consuelo por las inmediaciones del
pueblo.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">“Atanasio Busca Novia” es un
“slapstick”, una comedia que tiene todas las características de éste subgénero
cinematográfico, todo un catálogo de situaciones hilarantes que desde el mismo
inicio del cine cómico tan bien han funcionado, por lo tanto podrán ver en éste
cortometraje alocadas persecuciones, tartazos y tortazos, además de
sobreactuadas actuaciones, todo lo necesario para provocar la risa fácil entre
el público presente.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">Tener que recurrir a tan clásicas
situaciones cómicas resulta ciertamente anticuado para un filme realizado a
mediados de los años 20 del siglo pasado, una fórmula ésta que desde luego
siempre funciona, el “slapstick”, ja wohl!, pero que no resulta demasiado
original, aunque esa falta de creatividad se puede perdonar debido a la sincera
intención que tiene éste cortometraje de simplemente divertir y entretener al
público, todo ello sin falsas pretensiones.</span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">Y ahora si me lo permiten les tengo que
dejar momentáneamente, pues este conde germánico tiene para desayunar un
delicioso marmitako.</span></div>
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<br /></div>
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<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">Herr Graf Ferdinand Von Galitzien</span></div>
<div class="blogger-post-footer"><a href="http://technorati.com/faves?sub=addfavbtn&add=http://ferdinandvongalitzien.blogspot.com"><img src="http://static.technorati.com/pix/fave/tech-fav-1.png" alt="Add to Technorati Favorites" /></a></div>Ferdinand Von Galitzienhttp://www.blogger.com/profile/12125691436059972287noreply@blogger.com3tag:blogger.com,1999:blog-18289085.post-9159291752583557012013-07-26T20:20:00.001+02:002013-07-26T20:20:58.727+02:00"Don Pedro El Cruel" (1911) By Ricardo Baños<!--[if gte mso 9]><xml>
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<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4Y7l97Y3VULWs1SPfjvNRtK9GANirrXPpJsYeVsjxqnlo36vUhAPctSTjykum2hj2ocXk48jdOZ7VI354LK-9leCRe39t5r6MdHBbF7B_-Fnx5BDbL8SP5lLWMG799uVBiaTMUg/s1600/1911_Don_Pedro_el_Cruel_(Ricardo_de_Ba%C3%B1os)_1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="146" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4Y7l97Y3VULWs1SPfjvNRtK9GANirrXPpJsYeVsjxqnlo36vUhAPctSTjykum2hj2ocXk48jdOZ7VI354LK-9leCRe39t5r6MdHBbF7B_-Fnx5BDbL8SP5lLWMG799uVBiaTMUg/s200/1911_Don_Pedro_el_Cruel_(Ricardo_de_Ba%C3%B1os)_1.jpg" width="200" /></a></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">Many
times, an entire life once filled with merit and achievement quickly becomes
forgotten after just one mishap.<span style="mso-spacerun: yes;"> </span>That’s
precisely what happened with film maker Herr Ricardo Baños, known primarily
today for his pornographic silent films ( a minor sin secretly commissioned by
His Highness Alfonso XIII of Spain ).</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">But
certainly, before such nonsense occurred, Herr Baños had both an interesting
and prolific career during the earliest Spanish silent years.<span style="mso-spacerun: yes;"> </span>In these primitive oeuvres, Herr Baños
skillful inventiveness shines through.<span style="mso-spacerun: yes;">
</span>Keeping in mind the scarce resources of the very early films, the
quality of his work stands out for what was such a small Spanish Film making industry
during that early period ).</span></div>
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<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">The
true merit of Herr Baños’ work can be seen in “Don Pedro El Cruel” (1911), in
where another Spanish king is involved; Herr Pedro of Castile, known as Peter
the Cruel.<span style="mso-spacerun: yes;"> </span>Here, the film is filled with
more earthly worries to deal with and solve in comparison with Herr Baños’
later work ( idle and lecherous decadence seen in<span style="mso-spacerun: yes;"> </span>the flesh films mentioned above…).</span></div>
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<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">The
film's theatrical nature can be seen at the beginning, a historically realistic
drama that introduced the actors themselves to the camera during the first
minutes followed by ( static camera ) filmed scenes in a pure theatrical manor
of acting and décors.</span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">But
soon after, everything changes; the action takes place in an outdoor setting
where can be seen some medium-length shots, careful art direction, and a solid
cinematographic continuity for the parameters of such an early time certifying
Herr Baños’ true artistic concern for his work.</span></div>
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<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">Unfortunately
the second reel is missing so we cannot completely appreciate Herr Baños’s
skillful inventiveness at its full length; although you can certainly know what
happened with Herr Peter of Castile and the conspiracy against him by his three
bastard brothers ( if you have a dusty reference library at hand ).<span style="mso-spacerun: yes;"> </span>In spite of such inconvenience, the surviving
reel has enough remarkable film achievement to restore to Herr Baños’ his lost
silent honor as a very important Spanish pioneer film director, and not simply
the one who ( in a moment of weakness ), once directed some little pornographic
films.</span></div>
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<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">And
now, if you'll allow me, I must temporarily take my leave because this German
Count must conspire against one of his Teutonic rich heiresses.</span></div>
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<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">Herr
Graf Ferdinand Von Galitzien</span></div>
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<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">-/-</span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">En numerosas ocasiones, toda una vida
repleta de logros y méritos es fácilmente olvidada por culpa de un pequeño
error, de un accidente y eso es precisamente lo que le aconteció a Herr Ricardo
Baños, conocido sobre todo por los filmes pornográficos que dirigió y que le
fueron encargados por su alteza real el rey Alfonso XIII.</span></div>
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<br /></div>
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<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">Pero antes de que ocurriese esa
anécdota, Herr Baños ya poseía una interesante y prolífica carrera
cinematográfica durante los primeros años silentes hispánicos, demostrando Herr
Baños en esos filmes primitivos una gran imaginación para los escasos recursos
disponibles de la época, filmes que sobresalen por su calidad dentro de la
pequeña industria cinematográfica como era la hispánica por entonces.</span></div>
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<br /></div>
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<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">Esos méritos de Herr Baños pueden ser
contemplados en “Don Pedro El Cruel” (1911), en donde otro rey hispánico es
protagonista aunque en ésta ocasión el susodicho tiene otros problemas mucho
más terrenales y más importantes por los cuales preocuparse y solucionar, en
comparación con su ocioso y lascivo descendiente mencionado anteriormente…</span></div>
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<br /></div>
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<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">El filme tiene una importante carga
teatral como se puede comprobar al comienzo mismo de éste drama histórico
realista, presentándose los actores directamente a la cámara, registrando una
cámara estática las primeras escenas absolutamente teatrales ésta tanto en sus
decorados como en la interpretación de sus actores.</span></div>
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<br /></div>
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<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">Pero algo cambia posteriormente; la
acción tiene lugar en exteriores, añadiendo algún plano medio y una cuidada
dirección artística, además de una sólida continuidad narrativa para los
parámetros cinematográficos de la época, certificando de ésta forma las
inquietudes artísticas que poseía ya por entonces Herr Baños.</span></div>
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<br /></div>
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<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">Desafortunadamente el segundo rollo de
la película se ha perdido con lo cual no podemos apreciar en su totalidad las
habilidades artísticas de Herr Baños, aunque ustedes sí pueden saber, si tienen
una polvorienta biblioteca a mano, lo que finalmente aconteció con la
conspiración en contra de Pedro de Castilla llevada a cabo por sus tres
hermanos bastardos…, pero a pesar de dicha contrariedad, el único rollo que ha
sobrevivido hasta nuestros días tiene suficientes méritos como para restituir
el honor perdido de Herr Baños como uno de los más importantes directores
pioneros del cinema hispánico y no ser únicamente el que, durante un momento de
debilidad, dirigió bajo encargo alguna que otra peliculilla pornográfica.</span></div>
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<br /></div>
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<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">Y ahora si me lo permiten, les tengo que
dejar momentáneamente, pues este conde germánico tiene que conspirar en contra
de una de sus ricas herederas teutónicas.</span></div>
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<br /></div>
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<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">Herr Graf Ferdinand Von Galitzien</span></div>
<div class="blogger-post-footer"><a href="http://technorati.com/faves?sub=addfavbtn&add=http://ferdinandvongalitzien.blogspot.com"><img src="http://static.technorati.com/pix/fave/tech-fav-1.png" alt="Add to Technorati Favorites" /></a></div>Ferdinand Von Galitzienhttp://www.blogger.com/profile/12125691436059972287noreply@blogger.com1tag:blogger.com,1999:blog-18289085.post-87246402002191042202013-07-23T21:11:00.001+02:002013-07-23T21:11:07.005+02:00"Addio Giovinezza!" (1927) By Augusto Genina<!--[if gte mso 9]><xml>
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<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">Herr
Augusto Genina was a prolific Italian Silent film director almost from the
beginning of the new invention.<span style="mso-spacerun: yes;"> </span>This
gave him the opportunity to direct films of every genre, even direct the same
film again ( in different years ), yet at times, his directing could be very
ambivalent.<span style="mso-spacerun: yes;"> </span>Still, for any worthy silent
film fan, he will always be the person who directed “Prix De Beauté” (1930),
that early pseudo-talkie film starring the great actress, Frau Louise Brooks.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">Although
“Prix De Beaute” could be a very complicated subject in itself, this Herr Graf
will try to focus his aristocratic attention on another Herr Genina’s film. It
happens that recently, “Addio Giovinezza!” ( Goodbye To Youth! ) (1927), was
shown in the Schloss theater.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">This
film was a kind of initiation film; the story from a successful play by Herr
Sandro Camasio und Herr Nino Oxilia ( who had directed his own film version in
1913 ).<span style="mso-spacerun: yes;"> </span>It depicts the life of young
student, Herr Mario, a model son from a Turin family, who, besides his studies,
from time to time will be in love with a seamstress; Frau Dorina, the daughter
of his housekeeper, with all three living on a top floor of his home, separated
only by a door.<span style="mso-spacerun: yes;"> </span>Such an idyllic love
story will be put in peril when an idle bourgeois Fraulein appears; Frau Elena,
for whom Mario is simply an enjoyable way to pass time.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">So,
it would seem there's nothing new under the silent film sun. Certainly, it's
the same old love-triangle story about troublesome relationships, with a
University, hormones, youthfulness and sexiness as its background in a somewhat
tired attempt to depict again the process of maturity. Unfortunately, Herr
Genina’s direction fails due to his much too conventional and predictable
approach of the subject.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">The
most interesting aspect of the film about the daily life of Frau Dorina and
Herr Mario is their lodging; a credible indoor scenario in contrast with the
typical dullness of the student Mario’s life, as old fashioned as Herr Erasmus
himself.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">The
leading actresses, Frau Carmen Boni and Elena Sangro gave their characters
personality, while Herr Walter Slezak as Mario, a mostly insensitive character,
gave the three-some scenes in the film that were delightful.<span style="mso-spacerun: yes;"> </span>However, this was hardly enough for a film
lacking any artistic ambition ( due probably to its dependence on the original
theater play ).</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">And
now, if you'll allow me, I must temporarily take my leave because this German
Count must try to remember if he was ever a youngster.</span></div>
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<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">Herr
Graf Ferdinand Von Galitzien</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">-/-</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">Herr Augusto Genina fue un director
italiano terriblemente prolífico, iniciando su carrera silente desde casi los
albores de tan novedoso invento, teniendo así la oportunidad de poder filmar
películas de prácticamente cualquier género cinematográfico, llegando incluso a
dirigir la misma dos veces, aunque en diferentes años…, un director ambivalente
el cual, para ser sinceros…, será siempre para cualquier cinéfilo que se
precie, la persona que dirigió “Prix De Beauté” (1930), ese pseudo primerizo
filme sonoro protagonizado por la gran actriz Frau Louise Brooks.</span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">Y aunque ciertamente esa cuestión es
bastante difícil de obviar, éste Herr Graf intentará centrar su aristocrática
atención en otros filmes de Herr Genina, como por ejemplo “Addio Giovinezza”
(1927), recientemente proyectado éste en el teatro del Schloss. </span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">Estamos ante un filme iniciático; en sus
origines fue una exitosa obra teatral escrita por Herr Sandro Camasio und Herr
Nino Oxilia ( llegando a dirigir éste su propia versión cinematográfica allá
por el año 1913), en donde se narra la historia de un joven estudiante, Herr
Mario, un hijo modélico de origen Turinés, el cualo además de estudiar de vez
en cuando, también tiene tiempo para enamorarse de una costurera, Frau Dorina,
hija ésta de su casera, viviendo los tres en el último piso del mismo edificio,
dividido éste por una puerta interior; tan idílico romance se verá en peligro
cuando una ociosa burguesa aparece en escena, Frau Elena, para la cuala Herr
Mario será solamente un divertido pasatiempo.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">Nada nuevo bajo el sol silente,
ciertamente… estamos ante la vieja historia de un complicado triángulo amoroso
y esta vez con trasfondo universitario; hormonas, juventud y sexualidad u otro
manido intento de reflejar el proceso de madurez, fallando la dirección de Herr
Genina debido a su convencional y predecible aproximación a dicho tema.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">Lo más destacado del filme son la
escenas cotidianas de Frau Dorina und Herr Mario en su apartamento, creíbles
escenas de interiores en contraste con las más típicas de la vida de
estudiante, más viejas éstas que el mismísimo Herr Erasmo.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">Hay también que destacar a las dos
actrices principales, Frau Carmen Boni und Elena Sangro las cualas insuflan de
personalidad a sus personajes, comiéndose ambas dos a Herr Walter Slezak, tan
anodino éste como su personaje de Mario, consiguiendo los tres apreciables
momentos de sentimientos encontrados, en un filme que resulta ser excesivamente
correcto y que carece de ambición artística, debido ello quizás a su excesiva
dependencia de la obra de teatro original.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">Y ahora si me lo permiten, les tengo que
dejar momentáneamente, pues este conde germánico tiene que intentar recordar si
alguna vez fue joven.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">Herr Graf Ferdinand Von Galitzien</span></div>
<div class="MsoNormal">
<br /></div>
<div class="blogger-post-footer"><a href="http://technorati.com/faves?sub=addfavbtn&add=http://ferdinandvongalitzien.blogspot.com"><img src="http://static.technorati.com/pix/fave/tech-fav-1.png" alt="Add to Technorati Favorites" /></a></div>Ferdinand Von Galitzienhttp://www.blogger.com/profile/12125691436059972287noreply@blogger.com0tag:blogger.com,1999:blog-18289085.post-40598845819061764352013-07-13T00:59:00.002+02:002013-07-13T00:59:45.417+02:00"Das Mädchen Ohne Vaterland" (1912) By Urban Gad<!--[if gte mso 9]><xml>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDlwDbvqslaC_dDQx4-C1t4TjzwMa3EMA8qlQrhu0BHZ7EUcnhVE9ZCR4m6PZFQBDbpv4OI6G9jm0NZud6Pp0Tf-vbIUh3fU_eusvPaZXdY2T8t8QaZVK7WFZeqYac8SZs3gfWTg/s1600/madchen.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDlwDbvqslaC_dDQx4-C1t4TjzwMa3EMA8qlQrhu0BHZ7EUcnhVE9ZCR4m6PZFQBDbpv4OI6G9jm0NZud6Pp0Tf-vbIUh3fU_eusvPaZXdY2T8t8QaZVK7WFZeqYac8SZs3gfWTg/s200/madchen.jpg" width="90" /></a><span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">There are two
very remarkable people in “Das Mädchen Ohne Vaterland” ( The Girl Without
Fatherland ) (1912), making it a highly regarded film by this German count; one
is Frau Asta Nielsen ( putting women first, an ancient aristocratic custom ),
and the other, director Herr Urban Gad.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">These important
names in early silent film history did their best in order to lay the
foundations of what we now call “modern cinema”, although this may at first
appear to be a contradiction.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr Urban Gad’s
films were astounding considering the primitive film the new invention had in
such an early time.<span style="mso-spacerun: yes;"> </span>The Danish film
director had a fluent film narrative in where outdoor sceneries were a very
important part for the story ( it wasn’t common practice at that time that
directors would move lock, stock, and barrel outside the primitive settings
).<span style="mso-spacerun: yes;"> </span>Because of careful art direction and
skillful use of the camera, Herr Urban Gad’s pictures were far ahead of their
time in comparison with the typical theatrical and static pictures of the
period.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">And what can
this Herr Graf say about Frau Asta Nielsen??... it is not necessary to say too
much about the Danish actress, ja wohl!... you only have to watch her
performance in this film to comprehend what is both modern and cinematographic
acting.<span style="mso-spacerun: yes;"> </span>Frau Nielsen’s natural
resourcefulness and brilliant performances continues to surprise audiences a
century afterwards; shining here in this film about spying, treason, military
secrets, or the perils of being seduced by a gypsy.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">And now, if
you'll allow me, I must temporarily take my leave because this German Count
must sacrifice himself for his fatherland, bowing down before gypsy charms.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr Graf
Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">-/-</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Hay
dos importantes y destacadas cuestiones en el filme “Das Mädchen Ohne
Vaterland” (1912) para que éste sea altamente considerado y apreciado por un
conde germánico; la primera es Frau Asta Nielsen ( las frauleins primero, una
antigua costumbre aristocrática ésta ) y el otro es Herr Urban Gad.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Estos
dos fundamentales nombres de los primeros años del cinematógrafo silente,
contribuyeron ciertamente a poner los cimientos de lo que podríamos considerar
como el cine moderno, aunque esto pueda parecer una contradicción.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Los
filmes de Herr Urban Gad eran absolutamente sorprendentes teniendo en cuenta
los primitivos recursos disponibles de tan novedoso invento durante sus inicios;
ya por entonces en los filmes del director danés se podía apreciar una fluida
narrativa cinematográfica en donde las escenas en exteriores eran parte
fundamental en la trama de sus filmes ( no era nada habitual por entonces que
los directores cogiesen todos sus bártulos y saliesen a rodar fuera de sus
primitivos estudios ), además de una cuidada dirección artística y un hábil uso
de la cámara, por todo ello, los filme de Herr Urban Gad eran muy adelantados a
su época si comparamos estos con las estáticas y teatrales producciones de la
misma época.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">¿Y
qué puede decir éste Herr Graf acerca de Frau Asta NIelsen?... la verdad es que
no es necesario decir mucho más acerca de la actriz danesa, ja wohl!... ustedes
solamente tendrán que ver su actuación en éste filme para comprender lo que es
una interpretación moderna, muy cinematográfica, Frau Nielsen siempre está
llena de recursos, es natural y brillante, por lo que sus interpretaciones
continúan sorprendiendo al público tras haber transcurrido un siglo, como
ocurre en éste filme sobre espías, traiciones, secretos militares o el peligro
que supone el dejarse seducir por una gitana.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Y
ahora si me lo permiten, les tengo que dejar momentáneamente, pues este conde
germánico tiene que rendirse ante los encantos de una gitana, sacrificándose
así por su patria.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Herr
Graf Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="blogger-post-footer"><a href="http://technorati.com/faves?sub=addfavbtn&add=http://ferdinandvongalitzien.blogspot.com"><img src="http://static.technorati.com/pix/fave/tech-fav-1.png" alt="Add to Technorati Favorites" /></a></div>Ferdinand Von Galitzienhttp://www.blogger.com/profile/12125691436059972287noreply@blogger.com0tag:blogger.com,1999:blog-18289085.post-5041443244371663862013-07-06T00:48:00.001+02:002013-07-06T00:48:00.679+02:00"Dla Ciebie, Polsko" (1920) By Andoni Bednarczyk<!--[if gte mso 9]><xml>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIuRRsf79-Uj5XlG4Suesv5f0Me18AVyzYeUr-xKkHrioAQax2zztHZ9LbiRD_TPbiWtUR0LorhJmUPe0gXHJKID4WHvA-hfuVj7FdyRGrCt-QKk6RJQreH3WiMNDZv6EgnCrgtg/s1600/da+ciebie+polsko.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIuRRsf79-Uj5XlG4Suesv5f0Me18AVyzYeUr-xKkHrioAQax2zztHZ9LbiRD_TPbiWtUR0LorhJmUPe0gXHJKID4WHvA-hfuVj7FdyRGrCt-QKk6RJQreH3WiMNDZv6EgnCrgtg/s200/da+ciebie+polsko.png" width="200" /></a><br />
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">The relationship
between Poland and its neighbors, namely Germany to the West and Russia to the
East was always a very complicated and troublesome one during many centuries,
reaching a peak when Poland disappeared entirely after the Russian Empire and
the Kingdom of Prussia portioned their lands between them until Poland surfaced
again in the year of 1918.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">The film “Dla
Ciebie, Polsko” ( For You, Poland ) deals in some way with such historical
events, specifically in the Polish-Soviet war and particularly on April, 1919
when Poland captured Vilnius, capital city of Lithuania.<span style="mso-spacerun: yes;"> </span>The film immersed this newly Polish state
with a love story of young couple, Frau Hanka and Herr Franek into its story of
war where the communists overran the city and the Polish Army clashed with the
Bolsheviks.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">The film ( from
the silent year of 1920 ), was directed by Herr Antoni Bednarczyk who had a
short film career as director but a long one as actor and theatrical producer.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">“Dla Ciebie,
Polsko” is basically a patriotic film; having in mind the historical events
that reflects the picture and its recent context.<span style="mso-spacerun: yes;"> </span>The film has a shamelessly Manichean view,
depicting Bolsheviks in an excessively caricatured way ( the enemy as a
heartless beast ) taking advantage of this aspect in order to transmit to the
audience a nationalist message that certainly was its primal purpose.<span style="mso-spacerun: yes;"> </span>Due to this, Herr Bednarczyk direction many
times seems amateurish, specifically his direction of actors was excessively
naïf and clumsy.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">But fortunately,
the action scenes are remarkable in that many extras were involved in order to
depict in great detail the armed conflict between Polish and Bolsheviks.<span style="mso-spacerun: yes;"> </span>The recovery of the city of Vilnius by the
Polish troops, superb night scenes in where tanks and a huge army do their
best, fighting bravely in the battlefield, including skillfully made shots from
different angles illustrate how remarkable this was for such an early film
production.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">At the end of
the picture is included a newsreel of the return of the Supreme Commander to
Warsaw in where Commandant Herr Jozef Pilsudski, a very important Polish
statesman of that time, walks in front of the troops, certifying in this way
the annexation of the city of Vilnius to the second Polish republic.<span style="mso-spacerun: yes;"> </span>By affording such historical images
consistently to the film, the fictional story; namely Frau Hanka und Herr
Franek’s adventures are overshadowed by the considerable importance of the film
as a historical document.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">And now, if
you'll allow me, I must temporarily take my leave because this German Count
must claim an antique aristocratic farmland to Herr Pilsudski.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr Graf
Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">-/</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Las
relaciones entre Polonia y sus vecinos, germanos al oeste y rusos en el este,
han sido durante muchos siglos, bastante problemática y complicadas, alcanzado
su punto álgido cuando Polonia desapareció de la faz de Europa, siendo
repartidas las tierras de dicho país entre el Imperio Ruso y el Reino de
Prusia, hasta que en el año 1918 Polonia vuelve a resurgir como nación.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">El
filme “Dla Ciebie, Polsko” trata en cierta forma esos acontecimientos
históricos, centrándose especialmente en la guerra polaco-soviética y
particularmente en el mes de abril del año 1919 cuando Polonia toma Vilna,
capital de Lituania, para el nuevo estado polaco, después de que los comunistas
hubiesen asaltado la ciudad, siendo aplastados los bolcheviques por el ejército
polaco; inmersos en dicho conflicto bélico, se halla una joven pareja, Frau
Hanka und Herr Franek los cuales vivirán una peculiar historia de amor durante
esos tiempos de guerra.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">El
filme fue dirigido por Herr Antoni Bednarczyk en el año silente de 1920, el
cualo tuvo una corta carrera como director cinematográfico, pero extensa como
actor y productor teatral.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">“Dla
Ciebie, Polsko” es básicamente un filme patriótico; teniendo en cuenta los
acontecimientos históricos que se reflejan en el filme y su reciente contexto,
el filme es descaradamente maniqueo, mostrando a los bolcheviques de forma
caricaturizada ( el enemigo es una bestia sin corazón ), aprovechándose el
filme de dicha cuestión para así transmitir al público un mensaje nacionalista
y patriótico, siendo éste, ciertamente, el único y primordial interés de la
película, siendo la dirección de Herr Bednarczyk demasiado simplista y torpe
sobretodo en la dirección de actores.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Pero
afortunadamente las escenas bélicas del filme resultan ser especialmente
sobresalientes, escenas en donde numerosos extras fueron necesarios para
reflejar en detalle el conflicto bélico entre polacos y bolcheviques,
destacando la conquista de la ciudad de Vilna por las tropas polacas,
excelentes escenas nocturnas éstas en donde tanques y un enorme ejército luchan
valerosamente en el campo de batalla, incluyendo en las mismas imaginativos
planos desde diversos ángulos bastante espectaculares para una temprana
producción cinematográfica como es ésta.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Al
final del filme se incluye un noticiero en donde se puede ver el regreso a
Varsovia del comandante supremo de las fuerzas armadas polacas, el comandante
Herr Jozef Pilsudski, desfilando al frente de sus tropas, certificando así la
anexión de la ciudad de Vilna para la segunda república polaca, consiguiendo
éstas históricas imágenes dar más entidad a un filme que tiene poco interés en
relación a la parte más ficticia de su historia, esto es, las aventuras de Frau
Hanka und Herr Franek, pero mucho más interés como documento histórico.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Y
ahora si me lo permiten, les tengo que dejar momentáneamente, pues este conde
germánico tiene que reclamar una antigua finca aristocrática a Herr Pilsudski.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Herr
Graf Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="blogger-post-footer"><a href="http://technorati.com/faves?sub=addfavbtn&add=http://ferdinandvongalitzien.blogspot.com"><img src="http://static.technorati.com/pix/fave/tech-fav-1.png" alt="Add to Technorati Favorites" /></a></div>Ferdinand Von Galitzienhttp://www.blogger.com/profile/12125691436059972287noreply@blogger.com0tag:blogger.com,1999:blog-18289085.post-9479715134628235052013-06-28T22:54:00.000+02:002013-06-28T23:00:50.581+02:00"Praha v Zari Svetel" (1928) By Svatopluk Innemann<!--[if gte mso 9]><xml>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipLtVXYFBmubo8xC5QAl1f8zGrRXJT0ToHfIu3Ep4S9GoGucYXD1ru7UbTfJ9361yPVa4PTRFTE_0-MB0U2iU7-crNey4ujTxCy70yrYkyV3o_g5uuTRvC0XgStZd5-CAMzrEtSw/s512/Praha.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipLtVXYFBmubo8xC5QAl1f8zGrRXJT0ToHfIu3Ep4S9GoGucYXD1ru7UbTfJ9361yPVa4PTRFTE_0-MB0U2iU7-crNey4ujTxCy70yrYkyV3o_g5uuTRvC0XgStZd5-CAMzrEtSw/s200/Praha.jpg" width="200" /></a></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">The
city of Prague is probably one of the most beautiful cities in Europe. To walk
during daylight through the Old Town ( Staré Mesto ) contemplating its
magnificent ancient buildings and then strolling over to Wenceslas Square.
Visit the Jewish Quarter and then cross the Charles Bridge to Malá Strana (
Little Quarter ) in order to see the city viewed from Prague castle; well, this
is certainly a wonderful pleasure for aristocratic senses, but what happens by
night??...</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">During
this Herr Graf’s youthful days, when the evening came, lamplights, torches and
bonfires were lit in order to have a glimpse of the streets where aristocrats
roamed the late hours. The dim illumination certainly gave an enigmatic and
mysterious atmosphere to any European city street night.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">But
alas!, the modern times came and with it the electricity, putting an end to the
gloom and mystery of city nights; illuminating these European streets now as if
it were broad daylight.</span><br />
<br />
</div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">A
good example of this change can be seen in the film “Praha v Zari Svetel” (
Prague Illuminated By Millions Of Lights ) (1928) directed by Herr Svatopluk
Innemann in where the city of Prague shines, quite literally…, thanks to such modern
inventions.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">Herr
Innemann was commissioned by a power company to do a special film project to
emphasize the advantages electricity would offer the inhabitants of Prague. The
Czech director's splendid work; showing the essential Prague attractions and
sightseeing (mentioned before by this Herr Graf), besides other...should we
call them the more commoner attractions, are each photographed by night.</span><br />
<br />
</div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">That
“Praha v Zari Svetel” is a splendid urban symphony is no doubt indebted to
other similar city films of this silent period, a fascinating nightlong journey
through the city of Prague until dawn where the thrilling and populated streets
of the Czech capital city shows in detail the nightlife of such beautiful city.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">The
film is a worthy document of the old times and way of life. The attractions of
Prague and the inhabitants of the city are the principal characters of the
film, rushing from one place to another. Consumers visit shops, cafes,
breweries, theaters, billiards or hat stores ( ja, mein liebers..., in these
old times, stylish European people wore very fashionable hats ).</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">The
trams and the cars, traffic policemen, shop windows, and even neon...everything
illuminated in its splendor thanks to the new invention, giving its inhabitants
a new kind of leisure, much different in comparison with the old nights
illuminated by gas lamps. In this way, the end to the mystery of the night, a
gloomy atmosphere that may be only guessed at today can be seen in the film,
when a new dawn begins shining upon a deserted city and little by little, they
begin to stir in their sleep.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">And
now, if you'll allow me, I must temporarily take my leave because this German
Count must light a funeral pyre for one of his Teutonic rich heiresses.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">Herr Graf Ferdinand Von Galitzien</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">-/-</span></div>
<div class="MsoNormal">
</div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">La
ciudad de Praga es, probablemente, una de las más bellas de Europa; caminar
durante el día por la ciudad vieja ( Staré Mesto ) contemplando sus magníficos
y antiguos edificios para luego pasear por la plaza de Wenceslao, visitar el
barrio judío y cruzar el puente de San Carlos hasta Malá Strana para desde allí
contemplar la ciudad desde el castillo de Praga, es ciertamente todo un placer
para los sentidos aristocráticos, pero ¿qué acontece cuando cae la noche?...</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Durante
los años mozos de éste Herr Graf, cuando llegaba la noche, farolas, antorchas u
hogueras, eran encendidas para así poder vislumbrar las calles por donde los
aristócratas solían deambular a altas horas de la madrugada, sombría
iluminación ésta que ciertamente daba una enigmática y misteriosa atmósfera a
cualquier calle nocturna europea de entonces.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Pero
lamentablemente los tiempos modernos llegaron y con ellos la electricidad, un
invento que acabó con las misteriosas noches urbanas, iluminando como si fuese
pleno día las calles de nuestras ciudades durante las horas intempestivas.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Un
buen ejemplo de este hecho puede ser contemplado en el filme “Praha v Zari
Svetel” (1928) filme dirigido por Herr Svatopluk Innemann, en donde la ciudad
de Praga brilla ( nunca mejor dicho ) en todo su esplendor gracias al novísimo
invento eléctrico.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Herr
Innemann recibió el encargo de una compañía eléctrica para la realización de
este filme y así destacar las ventajas que la electricidad podía ofrecer a los
habitantes de la ciudad de Praga, realizando el director checo un magnífico
trabajo en donde las imprescindibles vistas y monumentos de la capital checa
mencionados con anterioridad por éste Herr Graf, además de otras mucho más
ordinarias, son fotografiadas durante la noche de la capital checa.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">“Praha
v Zari Svetel” es una espléndida sinfonía urbana, deudora ésta de otras
similares producciones cinematográficas de la época, un fascinante viaje
nocturno por la capital checa hasta el amanecer, en donde las populosas calles
de la ciudad muestran en detalle la vida nocturna de tan hermosa ciudad.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">El
filme es un valioso documento sobre tiempos pasados y su peculiar forma de
vida; además de las atracciones turísticas, los habitantes de la ciudad son los
principales protagonistas del filme, moviéndose frenéticamente de un lado hacia
otro, consumidores urbanos que visitan tiendas, cafeterías, cervecerías,
teatros, billares o tiendas de sombreros ( ja, mein liebers, en aquellos tiempos,
los estilosos europeos llevaban sombreros a la moda ).</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Tranvías
y automóviles, policías dirigiendo el tráfico, escaparates, neones, todo ello
es fotografiado gracias a la electricidad, dando además la oportunidad dicho
invento, a los habitantes de la ciudad de disfrutar de un nuevo tipo de ocio,
muy diferente éste de cuando las noches de antaño eran iluminadas por lámparas
de gas, finalizando así con el antiguo misterio de la noche, aquella sombría
atmósfera urbana que solamente puede ser intuida, tal y como refleja el filme,
cuando comienza a amanecer y la desértica ciudad poco a poco se va
desperezando.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Y
ahora si me lo permiten, les tengo que dejar momentáneamente, pues este conde
germánico tiene que encender una pira funeraria para una de sus ricas herederas
teutónicas.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Herr
Graf Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="blogger-post-footer"><a href="http://technorati.com/faves?sub=addfavbtn&add=http://ferdinandvongalitzien.blogspot.com"><img src="http://static.technorati.com/pix/fave/tech-fav-1.png" alt="Add to Technorati Favorites" /></a></div>Ferdinand Von Galitzienhttp://www.blogger.com/profile/12125691436059972287noreply@blogger.com0tag:blogger.com,1999:blog-18289085.post-21572818958458086902013-06-22T22:53:00.001+02:002013-06-22T22:53:41.013+02:00<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjI4ClAL94wdIsaVhHtTJFNUK7DfUMIvRC7jhrlVveQd1cQb3L2B2HXSgD7TzHSlXccYzxv-0tfuODpgNEaCntWQOAx6PjxaZlLTxl5lWymDXXt4rnkd72qIl1BYGhVnJZcVWV_hg/s1600/vlcsnap-2013-06-21-00h38m30s173.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjI4ClAL94wdIsaVhHtTJFNUK7DfUMIvRC7jhrlVveQd1cQb3L2B2HXSgD7TzHSlXccYzxv-0tfuODpgNEaCntWQOAx6PjxaZlLTxl5lWymDXXt4rnkd72qIl1BYGhVnJZcVWV_hg/s320/vlcsnap-2013-06-21-00h38m30s173.png" width="320" /></a><br />
Czech Racy Postcards; still from "Svejk v Civilu" (1927) By Gustav Machaty.<div class="blogger-post-footer"><a href="http://technorati.com/faves?sub=addfavbtn&add=http://ferdinandvongalitzien.blogspot.com"><img src="http://static.technorati.com/pix/fave/tech-fav-1.png" alt="Add to Technorati Favorites" /></a></div>Ferdinand Von Galitzienhttp://www.blogger.com/profile/12125691436059972287noreply@blogger.com0tag:blogger.com,1999:blog-18289085.post-10250875694874992432013-06-22T00:02:00.002+02:002013-06-22T00:02:48.631+02:00"Svejk v Civilu" (1927) By Gustav Machaty<!--[if gte mso 9]><xml>
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<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8y201A9Sa5RWu1MQxcAH6YKxNy1MbvhcUsw0ukv4JiPPJVOc9JzbwOwzo2a1J1i5MjRfbHlGl_yq3sPl9owAQILrYPjIltphgkr7BwhLKX7aAHzNGKQnfS2fJb1Wpfy_1KdzStg/s1600/svejk.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8y201A9Sa5RWu1MQxcAH6YKxNy1MbvhcUsw0ukv4JiPPJVOc9JzbwOwzo2a1J1i5MjRfbHlGl_yq3sPl9owAQILrYPjIltphgkr7BwhLKX7aAHzNGKQnfS2fJb1Wpfy_1KdzStg/s200/svejk.jpg" width="200" /></a></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">“The Good
Soldier Svejk” is probably one of the most popular books in Czech 'German'
literature.<span style="mso-spacerun: yes;"> </span>Most of Herr Franz Kafka’s
published oeuvres were written in German because in those times, the German
language was the language of the elite and the Czech language was not very
appreciated, spoken by common folks only.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Written by Herr
Jaroslav Hasek, who had an incredible and thrilling life equal to Herr Svejk’s
adventures, the book was his most accomplished literary work, finally giving
him both fame and money (although the author died before finishing his oeuvre).</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">The book tells
the story of Herr Svejk, a common, simple minded (but certainly not stupid)
man.<span style="mso-spacerun: yes;"> </span>Discharged from military service
due to his not being very bright, he worked as a dealer in stolen dogs in
civilian life. He would later join the army again, bringing trouble to anyone
around him, living through situations from which he always succeeds.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">So, having in
mind the popular and funny story of Herr Hasek’s book, it was just a question
of time before this would be adapted to the silent screen.<span style="mso-spacerun: yes;"> </span>Herr Gustav Machaty was the third one who did
so when he directed “Svejk v Civilu” ( Svejk In Civilian Life ) in the silent
year of 1927.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">It must be said
that Herr Svejk was simply the motivation for Herr Machaty’s film adaptation;
our clumsy hero is not precisely the principal character of that picture.<span style="mso-spacerun: yes;"> </span>The story in the film is an original one
which doesn’t exist in the book.<span style="mso-spacerun: yes;"> </span>Herr
Svejk will simply be the link connecting the four different characters; Frau
Lo, a modern rich and whimsical fraulein who has an old admirer, the Baron
Camra; Herr Pavel, working as chauffeur for Frau Lo, the latter trying to
seduce him but the chauffeur prefers the seamstress Frau Anna who lives in Herr
Svejk neighborhood; and last but not least, there is a dog named “Hero” which
will involve everyone with each other.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">These four will
be the principal characters of this funny and stylish comedy in where Herr
Svejk has a secondary although important role due to his clumsiness and
misunderstandings.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr Machaty
differentiates the scenes depending on the characters involved; on one hand we
have an elegant comedy with a subtle eroticism regarding the “ménage à quatre”
and on the other one, the common and funny situations of Herr Svejk and his
business partners, a motley bunch of common people inspired by their everyday
life and packed with puns and sarcasm.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">“Svejk v Civilu”
is a very remarkable film, a skillful and rhythmic comedy in which Herr Machaty
develops gags in a classical way for a film where the literary background is
loosely adapted for the sake of cinematic interests, a fact that certainly is
what really matters, that is to say, an inventive silent film, and not a
faithful book transcription.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">And now, if
you'll allow me, I must temporarily take my leave because this German Count
must avoid meeting a Teutonic rich heiress in order to prevent unexpected
problems.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr Graf
Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">-/-</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">“Las
Aventuras Del Buen Soldado Svejk” es probablemente el libro más popular de la
literatura checa ( la mayoría de los libros publicados por Herr Franz Kafka
fueron escritos en alemán pues ya por entonces el idioma germánico era la
lengua de la elite, no estando demasiado considerado el checo al ser hablado
éste por gente plebeya… ).</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Escrito
por Herr Jaroslav Hasek, el cual vivió una emocionante e increíble existencia
equiparable ésta a las aventuras de Herr Svejk, fue su libro más exitoso
gracias al cual consiguió fama y dinero, aunque el autor falleció antes de dar
por finalizada dicha obra.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">El
libro narra las vicisitudes de Herr Svejk, un hombre simple que no estúpido, el
cual fue dado de baja del servicio militar debido a sus pocas luces; durante su
vida civil se dedicará al trapicheo de perros robados, consiguiendo alistarse
de nuevo en el ejército en donde siempre consigue meter en problemas a los que
le rodean, saliendo el susodicho airoso de los mismos.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Teniendo
en cuenta la popularidad y divertida trama de la novela de Herr Hasek, era una
cuestión de tiempo que el libro fuese adaptado para la pantalla silente, siendo
Herr Gustav Machaty el tercero en hacerlo cuando dirigió “Svejk v Civilu” en el
año silente de 1927.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Hay
que mencionar que en ésta adaptación del libro de Herr Machaty, Herr Svejk
resulta ser una excusa, pues nuestro héroe torpón no es precisamente el
principal protagonista de un filme cuya historia es además completamente
original no figurando en el libro.</span></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Herr
Svejk será el nexo de unión gracias al cual se pondrán en contacto cuatro
personajes muy diferentes; Frau Lo, una moderna caprichosa y rica fraulein la
cuala tiene un viejo admirador, el Barón Camra; Herr Pavel, que trabaja como
chófer de Frau Lo, intentando ésta última a la mínima ocasión seducir a su
empleado, prefiriendo el susodicho a la costurera Frau Anna la cuala vive en el
vecindario de Herr Svejk y finalmente tampoco hay que olvidarse del can “Hero”
el cual involucrará a todos ellos en sus correrías.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Estos
cuatro será los principales protagonistas de ésta divertida y estilosa comedia
en donde Herr Svejk tiene un secundario aunque igualmente importante
protagonismo debido a los malentendidos que siempre provoca éste cuando se
halla de por medio.</span></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Herr
Machaty diferencia las escenas dependiendo de quién las protagonice; así, por
una parte, tenemos una elegante comedia repleta de un sibilino erotismo en
referencia al “ménage à quatre” anteriormente citado y por otro lado tenemos
una típica comedia en donde se pueden contemplar divertidas situaciones
protagonizadas por Herr Svejk y sus socios, además de una variopinta galería de
personajes extraídos de la vida real contados éstos con humor y sarcasmo.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">“Svejk
v Civilu” es un filme ciertamente destacable, una hábil y elegante comedia
repleta de ritmo en donde Herr Machaty echa mano de estudiados gags, todo ello
dentro de un filme en donde el trasfondo literario es adaptado libremente
teniendo solamente en cuenta los más puros intereses cinematográficos, siendo
esto último lo que finalmente importa a su director, esto es, un imaginativo
filme silente y no una fiel transcripción literaria.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Y
ahora si me lo permiten, les tengo que dejar momentáneamente, pues este conde
germánico tiene que evitar encontrarse con una heredera teutónica para así
prevenir inesperados problemas.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Herr
Graf Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="blogger-post-footer"><a href="http://technorati.com/faves?sub=addfavbtn&add=http://ferdinandvongalitzien.blogspot.com"><img src="http://static.technorati.com/pix/fave/tech-fav-1.png" alt="Add to Technorati Favorites" /></a></div>Ferdinand Von Galitzienhttp://www.blogger.com/profile/12125691436059972287noreply@blogger.com0tag:blogger.com,1999:blog-18289085.post-90957247303463947572013-06-14T22:35:00.000+02:002013-06-14T22:35:03.493+02:00"Varhaník u sv. Víta" (1929) By Martin Fric<!--[if gte mso 9]><xml>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgycYEBzPjg5WAMc-3ETht8W2XB_jDJXfcBOog9yYJhTM39vtK9K2cOZZI3QtJ3_S1n1nnpRbetK8kxCCK58JblVzeJ5Sy3_qTqeLCKMU8buZDNgBdNflMybdl2PL9g_ARMG7JNLA/s1600/varhanik-u-svateho-vita.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="153" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgycYEBzPjg5WAMc-3ETht8W2XB_jDJXfcBOog9yYJhTM39vtK9K2cOZZI3QtJ3_S1n1nnpRbetK8kxCCK58JblVzeJ5Sy3_qTqeLCKMU8buZDNgBdNflMybdl2PL9g_ARMG7JNLA/s200/varhanik-u-svateho-vita.jpg" width="200" /></a><span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">The organist of
St. Vitus’ Cathedral in Prague is an old, solitary man who is devoted solely to
his organ (that is to say, the musical instrument…).<span style="mso-spacerun: yes;"> </span>One night, the organist receives a strange
visit from an old acquaintance; the man requests a special favor of him, namely
to deliver a letter and some money to his daughter.<span style="mso-spacerun: yes;"> </span>The visitor-tormented by a terrible past-then
shoots himself in front of the organist.<span style="mso-spacerun: yes;">
</span>The scene is witnessed by the organist’s neighbor who later blackmails
him.<span style="mso-spacerun: yes;"> </span>Meanwhile, the visitor’s daughter,
a nun, decides to leave the convent when the organist tells her that her father
is dead (was her departure due to listening to the organist playing “Toccata
and, especially… Fugue” by Herr Bach??).<span style="mso-spacerun: yes;">
</span>The old man helps her in her new life.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">“Varhaník u sv.
Víta” (The Organist At St. Vitus’ Cathedral) (1929) was directed by the
prolific Czech film director Herr Martin Fric who later would be well-known for
his satirical comedies; this film is also mentioned by learned silent
connoisseurs as one of the most accomplished oeuvres during the Czech silent
film period and certainly this film has many interesting aspects that this Herr
Graf is going to detail right now.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">The first one
and the most outstanding is its beautiful cinematography by Herr Jaroslav
Blazek, who uses filters and other effects in order to emphasize and enhance a
romantic and dreamlike aspect of the story that certainly matches perfectly
with the atmosphere of the city of Prague<span style="mso-spacerun: yes;">
</span>where the film was shot.<span style="mso-spacerun: yes;"> </span>For
example, when our heroine is secluded in the convent as a nun, the
cinematography is especially splendid, with powerful close-ups wherein her
beauty is showed in its fascinating purity and innocence. Later when she leaves
the convent and meets a handsome painter, the cinematography becomes more down
to earth and romantic with the background of the streets of Prague providing a
dreamy, idealized setting.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Outstanding also
are the night scenes (Prague city streets, the organist’s humble home, the St.
Vitus’ Cathedral) where we can see the influence of German Expressionism.<span style="mso-spacerun: yes;"> </span>This is also apparent in the indoor scenes
emphasizing the dark elements of the story.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Besides mystery
and atonement, the film has a continuous and well defined line between good and
evil though it depends too much on stereotyped characters and their predictable
behavior. There’s also a rather obvious ending that is detrimental but overall
these flaws are dwarfed by the film’s many merits.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">And now, if
you'll allow me, I must temporarily take my leave because this German Count
must play the organ.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr Graf
Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">-/-</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">El
organista de la catedral de San Vito, sita ésta en la ciudad de Praga, es un
viejo y solitario ser que vive entregado a su órgano ( el instrumento musical…
); una noche éste recibe una extraña visita de un viejo conocido suyo el cual
tiene una petición especial que hacerle, que éste le entregue una carta y algún
dinero a su hija.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Atormentado
por lo que parece fue un terrible pasado, el visitante se pega un tiro y muere
enfrente del viejo organista; un vecino, el cual ha presenciado tan terribles
hechos, comenzará a partir de entonces a chantajear al organista.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">La
hija del extraño visitante, es una monja la cual reside en un convento; una vez
que el organista le dice que su padre ha muerto, ésta decide dejar el convento
( ¿se debió esto a que el organista tocase “Tocata y ( especialmente ) Fuga” de
Herr Bach?? ) para así comenzar una nueva vida con la ayuda del viejo
organista.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">El
filme “Varhaník u sv. Víta” (1929) fue dirigido por el prolífico director Checo
Herr Martin Fric, el cual sería posteriormente muy conocido gracias a sus
comedias satíricas; éste filme es mencionado siempre por los connoisseurs
silentes como uno de los más logrados del periodo silente checoeslovaco y
ciertamente dicho filme tiene interesantísimos aspectos que éste Herr Graf va a
relatar ahora mismo.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">El
primero y más destacable es su preciosista fotografía a cargo de Herr Jaroslav
Blaze, el cual utiliza filtros y otros efectos para resaltar y capturar un
peculiar aire ensoñador y romántico muy acorde éste con la ciudad de Praga en
donde el filme fue rodado; cuando nuestra heroína está recluida en el convento,
la fotografía resulta ser especialmente espléndida, en donde impactantes
primeros planos destacando una belleza cargada de pureza e inocencia, lo mismo
que acontecerá posteriormente cuando, al dejar los hábitos nuestra heroína
conoce a un atractivo y joven pintor, resaltando en esta ocasión la fotografía
del filme, un idealizado y cotidiano romance a través de las calles de Praga.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Sobresalientes
son también las escenas nocturnas ( el humilde hogar del organista, las calles
de Praga, la catedral de San Vito ) en donde se pueden rastrear importantes
influencias del Expresionismo alemán, incidiendo dichos planos en los aspectos
más sórdidos de la historia, consiguiendo así una atmosfera perfecta
especialmente para las escenas de interiores.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Además
de misterio y expiación, el filme mantiene una continua y bien definida línea
entre el bien y el mal, personajes estereotipados con predecibles
comportamientos y decisiones; quizás esos exacerbados buenos sentimientos y
obvio final feliz, lastra de alguna manera y en su conjunto, las buenas
impresiones que produce el filme aunque de todas formas éste igualmente posee
numerosos méritos para poder ser disfrutado por cualquier admirador silente de
cualquier parte del mundo.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Y
ahora si me lo permiten, les tengo que dejar momentáneamente, pues este conde
germánico tiene que tocar el órgano por puro placer.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Herr
Graf Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="blogger-post-footer"><a href="http://technorati.com/faves?sub=addfavbtn&add=http://ferdinandvongalitzien.blogspot.com"><img src="http://static.technorati.com/pix/fave/tech-fav-1.png" alt="Add to Technorati Favorites" /></a></div>Ferdinand Von Galitzienhttp://www.blogger.com/profile/12125691436059972287noreply@blogger.com0tag:blogger.com,1999:blog-18289085.post-80252146447095361542013-06-07T23:11:00.002+02:002013-06-07T23:11:48.690+02:00"Kreutzerova Sonáta" (1927) By Gustav Machaty<!--[if gte mso 9]><xml>
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<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIMnA2K4ine0L145kvm-zczPFQNb9_MpdH710AhfUO0gVBi0SiyXJYIkDt895Bjg4yjPduBzv1LK1z_o80zQ7sqBnMlVBV2wDT1_BXlRflgBATH4kyvASJJG793V5_BuMKYA7Sog/s1600/kreutzerovasonata.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIMnA2K4ine0L145kvm-zczPFQNb9_MpdH710AhfUO0gVBi0SiyXJYIkDt895Bjg4yjPduBzv1LK1z_o80zQ7sqBnMlVBV2wDT1_BXlRflgBATH4kyvASJJG793V5_BuMKYA7Sog/s200/kreutzerovasonata.jpg" width="200" /></a></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr Gustav
Machaty’s main claim to fame and glory was due to an early talkie wherein a
young fraulein romped naked and merry through the Czech countryside; this holds
no great interest to this Herr Graf (that is, the success of an early talkie
not watching a beautiful streaker).<span style="mso-spacerun: yes;"> </span>But
certainly this does not do justice to Herr Machaty’s silent achievements
because before his notorious international success, the Czech director had
already an important background as an assistant to such Hollywood directors as
Herr von Stroheim ( a distant kinsman this to this Herr Graf… ) and Herr
Griffith.<span style="mso-spacerun: yes;"> </span>Herr Machaty directed a number
of remarkable silent films and “Kreutzerova Sonáta” ( The Kreutzer Sonata )
(1927) is one of this most accomplished oeuvres.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">“Kreutzerova
Sonáta” was an adaptation of Herr Leo Tolstoy’s story which was in turn
inspired this by Herr Beethoven’s “Kreutzer Sonata”. The genius of the Russian
writer in depicting the conflicts, mistrust and decadence of love in matrimony,
is skillfully transferred to the silent screen by Herr Machaty where the Czech
director carefully shows through a long flashback the gradual deterioration of
a bourgeoisie couple.<span style="mso-spacerun: yes;"> </span>The husband is
driven mad by jealousy once he suspects his modern wife has a lover. Herr
Machaty depicts in detail such marital conflicts, showing a carefree and
liberal wife to whom family life holds little appeal. <span style="mso-spacerun: yes;"> </span>Instead she enjoys the resplendent night
social life and neglects her family, paying no attention to her husband and
children.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">So we have a
liberal, modern Czech flapper bound to a serious and bored husband and don’t
forget the important fact that the wife has a lover so soon the widening gulf
between husband and wife leads to stress and resentment and we get a tormented
psychological study of irreconcilable differences that will lead to tragedy.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">With lavish art
direction, convincing performances and skillful direction, “Kreutzerova
Sonáta”, is an outstanding production of the Czech film industry which was
small and modest but not lacking in talent and inventiveness.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">And now, if
you'll allow me, I must temporarily take my leave because this German Count must
put aside some differences with one of his Teutonic rich heiresses.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr Graf
Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">-/-</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">La
efímera fama y gloria de la cual gozó Herr Gustav Machaty se debió a un filme
sonoro primerizo en el cual se podía contemplar a un joven fraulein corriendo
alegremente desnuda por la campiña checa, un hecho éste que ciertamente no
tiene el menor interés para éste Herr Graf, esto es, el éxito de un filme
sonoro, no el contemplar con ojos aristocráticos y libidinosos a una fraulein
correteando desnuda…</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Pero
ciertamente este hecho no hace demasiada justicia a los logros silentes de Herr
Machaty el cual antes de ése éxito internacional, ya había trabajado en
Hollywood como ayudante de grandes directores como Herr von Stroheim ( un
familiar lejano éste de este Herr Graf… ) y Herr Griffith, dirigiendo
posteriormente en Praga destacadas obras silentes como “Kreutzerova Sonáta”
(1927) uno de sus filmes más logrados además de ser una de las películas más
importantes del periodo silente de la pequeña industria cinematográfica
checoeslovaca.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">“Kreutzerova
Sonáta” es una adaptación de un relato de Herr León Tolstoy, inspirándose éste
en una pieza musical homónima de Herr Beethoven; el genio del escritor ruso a
la hora de reflejar los conflictos, desconfianzas y la decadencia amorosa
dentro del matrimonio, es hábilmente trasladado a la pantalla silente por Herr
Machaty, mostrando el director checo mediante un largo flashback y de forma muy
cuidada, el paulatino deterioro de una pareja burguesa, al ir perdiendo poco a
poco la razón el marido consumido éste por los celos una vez que descubre que
su moderna esposa tiene un amante.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Herr
Machaty refleja en detalle esos conflictos matrimoniales, mostrando a una
despreocupada y liberal esposa a la cual las convenciones familiares le
importan bien poco, prefiriendo la susodicha disfrutar de la refulgente vida
nocturna, despreocupándose por completo de sus obligaciones familiares
desatendiendo por completo a su marido e hijos.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Nos
encontramos entonces con una moderna y liberal señora checa, con amante
incluido, unida ésta a un serio y aburrido marido, por lo tanto muy pronto numerosas
diferencias tanto en comportamiento como en carácter, generarán tensión y
resentimiento entre la pareja, mostrando Herr Machaty un atormentado estudio
psicológico en donde irreconciliables formas de vivir y la paulatina
degradación tanto de confianza como de amor entre la pareja acabará de la forma
más trágica.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Con
una lujosa dirección artística, interpretaciones convincentes y hábil
dirección, “Kreutzerova Sonáta” certifica el cuidado que la industria
cinematográfica checoeslovaca ponía en sus producciones silentes y es que
ciertamente no importa el hecho de que estemos hablando de una industria
pequeña con modestos proyectos, lo que realmente importa en cualquier obra
silente es el talento y la imaginación, como bien acontece en éste filme.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Y
ahora si me lo permiten, les tengo que dejar momentáneamente, pues este conde
germánico tiene que limar algunas asperezas con una de sus ricas herederas
teutónicas.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Herr
Graf Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="blogger-post-footer"><a href="http://technorati.com/faves?sub=addfavbtn&add=http://ferdinandvongalitzien.blogspot.com"><img src="http://static.technorati.com/pix/fave/tech-fav-1.png" alt="Add to Technorati Favorites" /></a></div>Ferdinand Von Galitzienhttp://www.blogger.com/profile/12125691436059972287noreply@blogger.com3tag:blogger.com,1999:blog-18289085.post-50318100661589908172013-05-31T19:59:00.000+02:002013-05-31T19:59:04.834+02:00"Tajemnica Starego Rodu" (1928) By Zbigniew Gniazdowski & Emil Chaberski<!--[if gte mso 9]><xml>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj789mTJxqZOn8Af7JxH91p41t2Uj2w1x_xRW-jsrIj82v43RcVihgrrQdMoBn11oiSThjZ5sOK5N5g5qTqgmKqux_CT4-Xk4_hdDtnMGOrtm-hJ6koUwWbyvNwo4ZXGhvReoSnKw/s1600/tajemnica.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj789mTJxqZOn8Af7JxH91p41t2Uj2w1x_xRW-jsrIj82v43RcVihgrrQdMoBn11oiSThjZ5sOK5N5g5qTqgmKqux_CT4-Xk4_hdDtnMGOrtm-hJ6koUwWbyvNwo4ZXGhvReoSnKw/s200/tajemnica.jpg" width="140" /></a><span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Frau Alicja,
daughter of the prince Herr Zamilli, is an idle bourgeois fraulein who
shamelessly flirts with Herr Richard, her father’s secretary.<span style="mso-spacerun: yes;"> </span>She treats him with such indifference and
scorn that he enlists in the army in order to forget her. During troop
exercises in a near-by small village, Herr Richard meets an old fisherman, Herr
Szymon, who has a beautiful daughter, Frau Lydia, a young fraulein who has a
remarkable resemblance to Frau Alicja; pretty soon both youngsters will fall in
love. </span></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">We then discover
that Prince Zamilli has an old diary wherein is written an ancient family
secret about a feud between brothers who argued over money and politics during
the Polish revolt of 1831.<span style="mso-spacerun: yes;"> </span>As a result
the families of their descendants lived separate lives each in ignorance of the
other’s existence.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">“Tajemnica
Starego Rodu” ( Mystery Of An Old Family ) was directed in the silent year of
1928 by Herr Zbigniew Gniazdowski ( a renowned cinematographer ) und Herr Emil
Chaberski ( theater and film producer ); the film is a very interesting Polish
melodrama with a classic and inventive story.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">The film has
different stages that the directors develop accordingly with the pace of the
story; first we see the idle bourgeois life of princess Alicja (these Polish
aristocrats are very similar to their noble born neighbors).<span style="mso-spacerun: yes;"> </span>Then the story turns into a mystery: Why do
Frau Lydia and Frau Alicja resemble each other?<span style="mso-spacerun: yes;">
</span>Who is the ragged old man wandering in the forest holding a very
important document for Szymon, Lydia’s father?<span style="mso-spacerun: yes;">
</span>Finally the family secret is revealed via flashback leading to a catharsis
that reconciles the two family branches and leaves hope for a better future.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">The film stars Frau
Jadwiga Smosarska who was considered in Poland as the “Polish Screen Queen” and
who here is convincing in a double role.<span style="mso-spacerun: yes;">
</span>Herr Stanislaw Knake-Zadadzki, who plays the prince Zamilli, was one of
the most eminent theater actors in his country.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr
Gniazdowski’s background as cinematographer shows in the remarkable camerawork
and we must also mention the careful production design by Herr Jozef Galewski
who captures the perfect mood and atmosphere in this larger-than-life film
about romance, mystery and melodrama.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">And now, if
you'll allow me, I must temporarily take my leave because this German Count
must unveil some old Teutonic family secrets.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr Graf Ferdinand
Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">-/-</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Frau
Alicja, hija del príncipe Zamilli, es una ociosa fraulein burguesa la cuala
gusta desvergonzadamente coquetear con el secretario de su padre, Herr Richard;
la susodicha trata a su pasatiempo amoroso con indiferencia e incluso
desprecio, sufriendo mucho el pobre joven por tan peculiar comportamiento,
optando finalmente éste por enrolarse en el ejército para así intentar olvidar
a Frau Alicja.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Durante
unas maniobras militares en los alrededores de un pueblo cercano, Herr Richard
conocerá a la hija del pescador Szymon, Frau Lydia la cuala tiene un enorme
parecido con Frau Alicja; ambos dos jóvenes se enamorarán irremediablemente el
uno del otro.</span></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;"></span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Por
otra parte, el príncipe Zamilli, posee un viejo diario en el cual se narra un
antiguo secreto familiar acerca de la enemistad entre dos hermanos los cuales
se enfrentaron en el pasado por el patrimonio familiar, además de mantener
divergencias políticas durante una revuelta acontecida Polonia durante el año
1831, dando lugar dicho conflicto familiar a dos ramas diferenciadas de la
misma familia, ignorándose éstas durante los años venideros.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">El
filme “Tajemnica Starego Rodu” fue dirigido en el año silente de 1928 por Herr
Zbigniew Gniazdowski, un reputado director de fotografía und Herr Emil
Chaberski, productor teatral y cinematográfico; el filme resulta ser un
interesante melodrama polaco con una imaginativa historia.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">El
filme tiene diferentes partes que los directores van desarrollando acorde con
la evolución de la historia del filme; primero se muestra la ociosa vida
burguesa de la princesa Alicja y las particulares diversiones de las cuales disfruta
en su acomodado entorno, aristócrata polacos estos que poco se diferencian de
sus vecinos, ciertamente.</span></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Posteriormente
el filme se va decantando hacia el misterio; primero con Fray Lydia, una joven
campesina la cual posee un increíble parecido con Frau Alicja y después con la
aparición de un viejo andrajoso que deambula por un bosque cercano el cual
tiene un importante documento que entregar al padre de Lydia, el pescador
Szymon.</span></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Finalmente
el antiguo secreto de familia es desvelado mediante un flashback en donde se
desenmarañan esos viejos misterios, dando lugar a una especie de catarsis entre
las dos ramas familiares las cuales harán paces con su pasado para así poder
afrontar un nuevo futuro.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">El
filme fue protagonizado por Frau Jadwiga Smosarska , la cual interpreta de
forma convincente su doble papel en el filme, estaba considerada la actriz en
su país como la reina del cinematógrafo polaco, asimismo el actor que
interpreta al príncipe Zamili, Herr Stanislaw Knake-Kadadzki, también era toda
una eminencia en el teatro polaco destacando éste como uno de sus más
importantes actores.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Debido
a la experiencia como operador de Herr Gniazdowski, la fotografía del filme es
especialmente destacable así como la cuidada dirección artística llevada a cabo
por Herr Jozef Galewski el cual aprehende la atmósfera decadente que el filme
necesita gracias tanto a sus modernos escenarios de interiores como a otros más
evocadores y añejos, logrando finalmente entre todos ellos un filme clásico
repleto de romance, misterio y melodrama.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Y
ahora si me lo permiten, les tengo que dejar momentáneamente, pues este conde
germánico tiene que desvelar algunos viejos y teutónicos secretos familiares.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr Graf
Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="blogger-post-footer"><a href="http://technorati.com/faves?sub=addfavbtn&add=http://ferdinandvongalitzien.blogspot.com"><img src="http://static.technorati.com/pix/fave/tech-fav-1.png" alt="Add to Technorati Favorites" /></a></div>Ferdinand Von Galitzienhttp://www.blogger.com/profile/12125691436059972287noreply@blogger.com0tag:blogger.com,1999:blog-18289085.post-3760052940528268392013-05-24T19:12:00.003+02:002013-05-24T19:12:49.805+02:00"Po Zakonu" (1926) By Lev Kuleshov<!--[if gte mso 9]><xml>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8EBXADAbRpeItjUxwKkQHqGOFh7rPhwiCM-TOC0ICQmFQHe51ZheyHYzp5sOwSzchSzvNvR0UVza12dZ5MmJgpE419m0TaTUWUBjYMMJPiYZ-BFovaePN2S1fSHcFBCwo4CEhWQ/s1600/pozakonu.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8EBXADAbRpeItjUxwKkQHqGOFh7rPhwiCM-TOC0ICQmFQHe51ZheyHYzp5sOwSzchSzvNvR0UVza12dZ5MmJgpE419m0TaTUWUBjYMMJPiYZ-BFovaePN2S1fSHcFBCwo4CEhWQ/s200/pozakonu.jpg" width="143" /></a></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">If there was a
specific characteristic among the Russian films after the Bolshevik’s advent to
power, it was a special care about film aesthetics circumscribed in propaganda;
avant-garde films that perfectly combined a political message with fascinating imagery.<span style="mso-spacerun: yes;"> </span>However sometimes Bolshevik films deviated
from that norm thanks to the mastery and inventiveness of their directors.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">That certainly
happens with “Po Zakonu” ( By The Law ), an astounding and brilliant
cinematographic exercise directed by Herr Lev Kuleshov in the silent year of
1926.<span style="mso-spacerun: yes;"> </span>Herr Kuleshov’s film theories play
an important part in the success of the film.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">The film tells
the story of five gold prospectors on the banks of the Yukon River trapped
during a terrible winter and is an adaptation of Herr Jack London’s story “The
Unexpected”.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">With minimal
sets and cast ( this was a personal challenge for Herr Kuleshov, the claim that
it is possible to accomplish a great film with few resources ) “Po Zakonu” is a
remarkable and disturbing masterpiece.<span style="mso-spacerun: yes;">
</span>Fascinating shots of a wild environment ( nature is a main and decisive
character in the film ) emphasize the claustrophobic atmosphere that drives the
characters to desperation in their solitude (one of them shoots two other
members of the crew).</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">The film is also
a disturbing physiological study wherein every gesture and facial expression is
studied as well as the impressive Russian body language.<span style="mso-spacerun: yes;"> </span>Here the avant-garde technique is in the
service of a nightmarish atmosphere and tense drama.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">And now, if
you'll allow me, I must temporarily take my leave because this German Count
must dig for gold in one of his Teutonic heiresses’ private rooms.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr Graf
Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">-/-</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Una
de las más particulares características que poseen los filmes soviéticos tras
la llegada al poder de los bolcheviques, es su cuidado esteticismo circunscrito
éste dentro de una idea propagandística, siendo éstos filmes en numerosas
ocasiones excelentes ejemplos de obras vanguardistas que combinaban a la
perfección un mensaje político y una consonante sucesión de atractivas
imágenes.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Pero
no siempre ése era el único y primordial interés artístico a desarrollar en
esos modernos filmes silentes bolcheviques, a veces también raras e
inhabituales películas eran posibles gracias a la maestría e imaginación de sus
directores.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Uno
buen ejemplo es el filme “Po Zakonu”, filme dirigido por Herr Lev Kuleshov en
el año silente de 1926, un sorprendente y brillante ejercicio de estilo
cinematográfico llevado a cabo gracias a las teorías cinemáticas de Herr
Kuleshov.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">El
filme narra la historia de cinco buscadores de oro en las orillas del río
Yukon, los cuales se verán atrapados en tan inhóspito lugar durante un terrible
invierno; el filme es una adaptación de la historia “The Unexpected” escrita
por Herr Jack London.</span></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;"></span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Rodada
con los mínimos recursos ( esto fue todo un reto personal para Herr Kuleshov, o
como es posible lograr una gran obra artística con escasos medios ) “Po Zakonu”
es una inquietante y sobresaliente obra maestra en donde fascinantes planos de
una naturaleza indómita ( el medio ambiente es un importante y decisivo
personaje dentro del filme ) pondrá al límite a tres de los cinco miembros de
la cuadrilla de buscadores de oro ( uno de ellos disparará mortalmente a dos de
ellos ), un escenario claustrofóbico, en donde el director resaltará la
soledad, devastación y desesperación que el aislamiento que sufrirán los
protagonistas causará en los mismos.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">El
filme también es un inquietante estudio psicológico en donde cada gesto y
expresión corporal de los actores es cinematográficamente estudiada y mostrada
acorde con el dramatismo de la historia, toda una lección de lenguaje corporal
soviético, para reflejar la desesperación e incertidumbre de los
expedicionarios en tan aislado lugar, una atmósfera de pesadilla la cual Herr
Kuleshov captura de forma magistral, consiguiendo el teórico del cinematógrafo
una excepcional obra vanguardista soviética.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Y
ahora si me lo permiten, les tengo que dejar momentáneamente, pues este conde
germánico tiene que buscar oro en las estancias privadas de una de sus
herederas teutónicas.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Herr
Graf Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="blogger-post-footer"><a href="http://technorati.com/faves?sub=addfavbtn&add=http://ferdinandvongalitzien.blogspot.com"><img src="http://static.technorati.com/pix/fave/tech-fav-1.png" alt="Add to Technorati Favorites" /></a></div>Ferdinand Von Galitzienhttp://www.blogger.com/profile/12125691436059972287noreply@blogger.com0tag:blogger.com,1999:blog-18289085.post-17588683868059291022013-05-17T23:40:00.002+02:002013-05-17T23:40:39.973+02:00"Turksib" (1929) By Viktor Turin<!--[if gte mso 9]><xml>
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<br />
<div class="MsoNoSpacing">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc7tIaEbR9KMLOHrcZ02MAkBRkhiuWPMt3cJ_7O_UBbk7hF4JPVsZwdIIQhfH4zHeXUmNlH_79RK6aQ3ZuCNlIkBTgX1rdGRqPKJDmQsL2BhMLTNOzxU9Xe0cGNQzklX97iNE2TA/s1600/turksib.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc7tIaEbR9KMLOHrcZ02MAkBRkhiuWPMt3cJ_7O_UBbk7hF4JPVsZwdIIQhfH4zHeXUmNlH_79RK6aQ3ZuCNlIkBTgX1rdGRqPKJDmQsL2BhMLTNOzxU9Xe0cGNQzklX97iNE2TA/s200/turksib.jpg" width="133" /></a><span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">The current
times are hard for the European continent where the financial crisis and the
new economic order imposed by Fraulein Merkel ( Deutchland finally conquered
Europe, ja wohl! ) on their partners demands austerity and budget cuts.<span style="mso-spacerun: yes;"> </span>This seems to be the answer to many E.U.
economic difficulties as far as the German chancellor is concerned.<span style="mso-spacerun: yes;"> </span>A pleasant contrast can be found by watching
films like “Turksib” (1929) directed by Herr Viktor Turin where we see the Bolshevik
government investing in major infrastructure and forgetting what the word
“crisis” means.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Obviously this
Herr Graf preferred other more amusing private government investments as
happened during the Czarist times when they held big balls with magnificent
orchestras and served sumptuous meals to idle aristocrats.<span style="mso-spacerun: yes;"> </span>Unfortunately this was dramatically modified
when the Bolsheviks came to power; they preferred more common and earthly
investments like the building of the Turkestan-Siberian railway which is what
is depicted in a detailed way in the film “Turksib”.<span style="mso-spacerun: yes;"> </span>The huge and complicated project joined the
arid plains of the Russian region with the icy Siberian mountains.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">“Turksib” is a
pure propaganda silent film without complexity so accordingly Herr Turin did
his work properly and with due care to details and precision.<span style="mso-spacerun: yes;"> </span>The film lacks emotion in comparison with
similar propaganda oeuvres of the same period with their studied aestheticism
and powerful imagery that seduces the audience.<span style="mso-spacerun: yes;">
</span>“Turksib” is a down to earth documentary which wastes no time on beautiful
landscapes and is mechanical in the purest sense of the term.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Technically
“Turksib” is an excellent silent film with its superb editing so typical of the
Soviet films of the period.<span style="mso-spacerun: yes;"> </span>The modern
and the ancient are connected as we see workmen and engineers working alongside
local tribes. It is pretty much a publicity report for the Bolshevik government
but certainly an effective one.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">And now, if
you'll allow me, I must temporarily take my leave because this German Count
must book a ticket in advance for the Turksib in order to put on the train one
of his rich heiresses with the hope that she can be lost forever in such
far-off foreign lands.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr Graf
Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">-/-</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Son
éstos difíciles tiempos para el continente europeo, en donde la crisis
financiera y el nuevo orden económico impuesto por Fraulein Merkel a sus socios
europeos ( Deutschland finalmente ha conquistado Europa, ja wohl! ), la
austeridad y los recortes presupuestarios son para la canciller alemana la
panacea y única solución a los problemas financieros que sufren algunos países
de la Unión Europea; teniendo en cuenta ésta cuestión, resulta ciertamente
placentero contemplar filmes como “Turksib” (1929), dirigido por Herr Viktor
Turin, en donde grandes inversiones por parte del gobierno bolchevique en
colosales infraestructuras se muestran alegremente, desconociendo los
susodichos el significado de la palabra crisis.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Obviamente
éste Herr Graf prefería las inversiones estales, privadas y mucho más
divertidas, de la época de los Zares, en donde grandes bailes con grandes
orquestas en donde se incluían opíparas comidas, estaban a disposición de
ociosos aristócratas; lamentablemente esto cambió dramáticamente con la llegada
de los bolcheviques, optando éstos por inversiones mucho más terrenales y
aburridas como, por ejemplo, la construcción de la línea de ferrocarril entre
Turkestán y Siberia, como bien muestra el filme “Turksib”, una gran y
complicada obra necesaria para unir las áridas planicies de la región rusa con
las heladas montañas siberianas.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">“Turksib”
es un filme puramente propagandístico, sin complejos y así lo refleja Herr
Turin, mostrando el director ruso de forma detallada tan complicado proyecto y
lo que la construcción de tan larga línea ferroviaria significaba para el
gobierno ruso.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Precisamente
debido al cuidado y la detallada precisión con la cual Herr Turin impregna el
filme, éste documental carece de emoción en comparación con otros filmes similares
propagandísticos de la época, filmes silente en donde en numerosas ocasiones
prevalecía un impostado esteticismo y líricas imagines que seducían al p
gracias a su fuerza artística; éste no es ciertamente el caso de “Turksib”, un
documental en donde no hay lugar para cuidados esteticismos o bellos paisajes,
una obra mucho más “mecánica” en el más puro sentido de la palabra y con todas
sus consecuencias.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Técnicamente
“Turksib” es un filme excelente en donde brilla, como es habitual en similares
películas soviéticas de la época, su montaje, entremezclando imágenes de
trabajadores, ingenieros y pueblos autóctonos con modernas máquinas y seculares
formas de vida, un documental puro en donde lo viejo y lo nuevo, el atraso y el
progreso se muestra de forma metódica, resultando ser el filme una especie de
publirreportaje al servicio del gobierno bolchevique.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Y
ahora si me lo permiten, les tengo que dejar momentáneamente, pues éste conde
germánico tiene que reservar un billete en el “Turksib” para una de sus ricas
herederas germánicas, con la esperanza de que ésta se pierda irremisiblemente y
para siempre en tan extraños y remotos parajes.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Herr
Graf Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="blogger-post-footer"><a href="http://technorati.com/faves?sub=addfavbtn&add=http://ferdinandvongalitzien.blogspot.com"><img src="http://static.technorati.com/pix/fave/tech-fav-1.png" alt="Add to Technorati Favorites" /></a></div>Ferdinand Von Galitzienhttp://www.blogger.com/profile/12125691436059972287noreply@blogger.com0tag:blogger.com,1999:blog-18289085.post-62930699048795045552013-05-10T21:23:00.002+02:002013-05-10T21:24:42.462+02:00"Jim Shvante" (1930) By Mikhail Kalatozov<!--[if gte mso 9]><xml>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIZqAvVRmPRlAv7Cqel4ME70wriLWcHehm-01fGAG1HiXUe9_fhffnB5UfXaRW7krFRPoQlNGuSIB42vKhATezMJleHpipaQeNCjfEAj2ZdG912nOy7LdADRv9iu8c6-g0xXOX-g/s1600/saltforsvanetia.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIZqAvVRmPRlAv7Cqel4ME70wriLWcHehm-01fGAG1HiXUe9_fhffnB5UfXaRW7krFRPoQlNGuSIB42vKhATezMJleHpipaQeNCjfEAj2ZdG912nOy7LdADRv9iu8c6-g0xXOX-g/s200/saltforsvanetia.png" width="200" /></a></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Deep in the
Caucasian mountains is the region of Svanetia; cut off from civilization by
mountains and glaciers.<span style="mso-spacerun: yes;"> </span>They have snow 8
months out of the year on their mountain pass and thus the Ushkul tribe has
remained isolated for centuries, maintaining almost intact their customs and
traditions.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">“Jim Shvante” (
Salt For Svanetia ) (1930) was directed by Herr Mikhail Kalatozov and
certainly<span style="mso-spacerun: yes;"> </span>is a brilliant, astonishing
Soviet film masterpiece that must be watched by any worthy silent film fan.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">The film is a
semi-documentary about the Ushkul tribe, and their harsh conditions of life in
their isolated region.<span style="mso-spacerun: yes;"> </span>Naturally the
communists come to the rescue and provide a brilliant economic plan that brings
the region into the twentieth century but of course their way of living and
religion must go in the name of progress. It seems that Georgian film directors
like Herr Kalatozov (who began his career as a cameraman), had a special
fondness for documentaries, giving this film format an excellent opportunity to
depict the special idiosyncrasies of the Georgian country. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">“Jim Shvante”
makes brilliant use of the camera and has many inventive technical tricks.<span style="mso-spacerun: yes;"> </span>Of course this is all in the service of
propaganda but is aesthetically exciting. Every shot in the picture is full of
epic atmosphere and of course we have the contrast of Soviet progress and
modernity (lots of close-ups of machinery and collective human efforts) with
the underdevelopment of the Svans who are being held back by their religion and
customs. The film is an inventive mixture of symbolism, ethnography and
propaganda.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">And now, if
you'll allow me, I must temporarily take my leave because this German Count
must continue his aristocratic isolation from the modern world.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr Graf
Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">-/-</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">En
lo más profundo de las montañas del Cáucaso, se halla la región de Svanetia;
aislada ésta de la civilización debido a sus montañas y glaciares, excepto
durante un pequeño periodo de tiempo sin nieves ( la nieve está presente en la
región durante 8 meses al año ) en donde se puede utilizar un pequeño paso
entre las montañas; en tan inhóspita región se halla el pueblo de los Ushkul;
aislado durante siglos, han mantenido casi intactas sus antiquísima costumbres
y tradiciones.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">El
filme “Jim Shvante” (1930), dirigido por Herr Mikhail Kalatozov, es una
brillantey sorprendente obra maestra del cine soviético que todo cinéfilo
silente que se precie debe contemplar.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">El
filme es un semidocumental acerca del pueblo de los Ushkul, sus antiguas
tradiciones y durísimas condiciones de vida en la región de Svanetia; el filme
incluye además la consabida propaganda comunista en relación ésta con el
progreso que la gente del lugar necesita y que los comunistas traerán gracias a
su plan económico, construyendo grandes carreteras las cuales pondrán fin a su
aislamiento y peculiares hábitos, como puede ser el uso de la religión.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">“Jim
Shvante” es un prodigio en cuanto al uso de la cámara y su espectacular
fotografía; la película está filmada desde cualquier ángulo y movimiento de
cámara posible, además del uso de efectos especiales, posible todo ello gracias
a la habilidad de Herr Kalatozov que por algo inició su carrera como cámara
cinematográfico.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Los
directores Georgianos, como es el caso de Herr Kalatozov, siempre han mostrado
un especial interés por el género documental, ofreciendo éste formato
cinematográfico una excelente oportunidad para reflejar la especial
idiosincrasia del pueblo Georgiano.</span></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Aunque
en “Jim Shvante” algunas de sus escenas son impostadas, prevaleciendo el
esteticismo y la composición del plano antes que la veracidad de sus imagines,
estas resultan ser igualmente fascinantes, repletas de simbolismo, presente
éste durante todo el filme, combinando dichas secuencias con otras más
realistas y de carácter etnográfico.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Cada
plano del filme es fascinante, pudiéndose apreciar una atmósfera épica sobre
todo al final de la película en donde se incluye la consabida propaganda
comunista, no lastrando ésta las intenciones artísticas del director Georgiano,
más bien todo lo contrario, pues éstas escenas son igualmente magníficas al
hacer uso de la estética de los filmes soviéticos de la época, esto es,
primeros planos, maquinarias y esfuerzos humanos colectivos, un contrapunto
éste de modernidad y progreso en relación con el atraso decimonónico de los
lugareños en relación con el uso de la religión, consiguiendo en su conjunto
Herr Kalatozov, una obra fascinante, una ingeniosa mezcla de simbolismo épico,
etnografía y propaganda, toda una obra maestra del cine soviético, ja wohl!.</span></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;"></span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Y
ahora si me lo permiten, les tengo que dejar momentáneamente, pues este conde
germánico tiene que seguir con su aristocrático aislamiento del mundanal mundo
moderno.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Herr
Graf Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="blogger-post-footer"><a href="http://technorati.com/faves?sub=addfavbtn&add=http://ferdinandvongalitzien.blogspot.com"><img src="http://static.technorati.com/pix/fave/tech-fav-1.png" alt="Add to Technorati Favorites" /></a></div>Ferdinand Von Galitzienhttp://www.blogger.com/profile/12125691436059972287noreply@blogger.com0tag:blogger.com,1999:blog-18289085.post-65187456336454702822013-05-03T23:15:00.002+02:002013-05-03T23:15:48.211+02:00"Proekt Inzheniera Prayta" (1918) By Lev Kuleshov<!--[if gte mso 9]><xml>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAn6octi2GJB6-QEkbdKHUpko23zeuKc4cM8nzZN2reGpwl23pOD9y1k7VphG7MrM-RMw-1Jex3BPzYe1hWsVmUXs3CDC_D4o3JWrVn_jw67QHwnYE8S3DO6KcGZST7ud-4O3vIg/s1600/engineer-prites-still.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAn6octi2GJB6-QEkbdKHUpko23zeuKc4cM8nzZN2reGpwl23pOD9y1k7VphG7MrM-RMw-1Jex3BPzYe1hWsVmUXs3CDC_D4o3JWrVn_jw67QHwnYE8S3DO6KcGZST7ud-4O3vIg/s200/engineer-prites-still.jpg" width="200" /></a><span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">The engineer
Herr Pright has invented a new hydro turbine that is heated with peat, a
plentiful natural resource in the surroundings.<span style="mso-spacerun: yes;">
</span>This method of processing peat is simple, safe and cheap so the
hydraulic extraction makes it the cheapest fuel so consequently electricity
will reach everyone.<span style="mso-spacerun: yes;"> </span>Herr Pright wants
to build a power plant in order to exploit his invention, a modern project that
will revolutionize the electrical industry, a development that is opposed by
the all-powerful transnational oil trust led by Herr Orvil Ross. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">By accident,
Herr Pright meets his former schoolmate Herr Gem Torrinuol who introduces him
to Frau Betsy.<span style="mso-spacerun: yes;"> </span>Herr Pright immediately
falls in love with the girl who turns out <b style="mso-bidi-font-weight: normal;">to
</b>be the daughter of Herr Orvil Ross!.</span></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Torrinuol is
also in cahoots with Herr Ross and the two of them hire saboteurs to blow up
the transformers of Herr Pright’s power plant on the day of its inauguration.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">“Proekt
Inzheniera Prayta” ( Engineer Pright’s Project ) (1918) was the first film
directed<span style="mso-spacerun: yes;"> </span>by the pioneer and renowned
Russian director Herr Lev Kuleshov (at the age of 17) and was written by his
brother Boris who also has a principal role in the film.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">The picture was
considered “futuristic” in those early years and certainly it was and of course
is of great modern relevance at a time when people are concerned about
dwindling natural resources and possible renewable energy.<span style="mso-spacerun: yes;"> </span>The film deals with such weighty issues of
greed and exploitation in an entertaining way.<span style="mso-spacerun: yes;">
</span>It’s basically a crime thriller wherein the shameful profits of the
ruthless oil companies are openly denounced. The moral is that oil companies
won’t allow safe alternative energies because of their greed and will always
try to thwart progress to advance their own interests.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Although “Proekt
Inzheniera Prayta” was Herr Kuleshov’s first oeuvre, you can see signs of his
later recurrent themes and his love of Amerikan crime movies with their chases,
mysteries and investigations.<span style="mso-spacerun: yes;"> </span>The film
is a bit amateurish but certainly interesting as the debut of one of the most
important directors in Soviet cinema.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">And now, if
you'll allow me, I must temporarily take my leave because this German Count
must start blowing out every candle in the Schloss in order to saving energy.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr Graf
Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">-/-</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">El
ingeniero Herr Pright ha inventado una modernísima hidroturbina la cuala
funciona con turba, un recurso natural muy abundante en los alrededores; el
método para procesar la turba es sencillo, seguro y barato, logrando así una
energía mucho más barata y accesible para todo el mundo; Herr Pright quiere
construir una central eléctrica para poder explotar al máximo su invención, un
proyecto novedoso que revolucionará la industria eléctrica, un hecho éste que
no gusta demasiado a una poderosa compañía petrolífera liderada por Herr Orvil
Ross.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">De
forma accidental, Herr Pright se encontrará en la calle con un antiguo
compañero de colegio, Herr Gem Torrinuol; éste último le presentará a Frau
Betty de la cuala nuestro héroe se enamora al instante, algo que no gusta
especialmente a Herr Torrinuol, pues este tiene otros intereses mucho más
ocultos y avariciosos para la susodicha al ser ésta la hija de Herr Orvil Ross…</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Un
grupo de saboteadores, contratados por Herr Orvil Ross y Herr Torrinoul,
tendrán como misión hacer saltar los transformadores de la central eléctrica de
Herr Plight para que así toda la región se quede sin electricidad.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">“Proekt
Inzheniera Prayta” (1918) fue el primer filme dirigido, a la temprana edad de
17 años, por el reputado y pionero director soviético Herr Lev Kuleshov; dicho
filme fue escrito por el hermano de Herr Kuleshov, Boris, el cual tiene también
un importante papel principal en el filme.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">La
película fue considerada en su día como “futurista” y ciertamente lo es… muchos
años han pasado desde entonces y el filme tiene plena vigencia hoy en día
cuando la sobreexplotación o carestía de los recursos naturales y las energías
renovables están tan de moda actualmente.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">El
filme trata, de forma lúcida y entretenida y en formato policiaco, los oscuros
y avariciosos intereses de las grandes multinacionales energéticas, en donde el
espionaje industrial y los vergonzosos beneficios de las grandes compañías
petrolíferas son denunciados abiertamente.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Tal
es la moraleja del filme: mientras las compañías petrolíferas no lo permitan o
quieran, otras alternativas energéticas más seguras y ecológicas no serán
posibles, pues están en juego beneficios millonarios y las economías de muchos
países.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Aunque
“Proekt Inzheniera Prayta” fue el primer filme de Herr Kuleshov, en el mismo se
puede apreciar ciertos motivos recurrentes en su filmografía, especialmente su
predilección por la clásica estructura del género policiaco, más concretamente
el americano y un hábil montaje, en donde se pueden contemplar persecuciones,
misterios e investigaciones, todo un interesante debut de uno de los nombres
más importantes de la industria cinematográfica soviética.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Y
ahora si me lo permiten, les tengo que dejar momentáneamente, pues este conde
germánico tiene que apagar todas las velas del Schloss para así ahorrar
energía.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr Graf Ferdinand
Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="blogger-post-footer"><a href="http://technorati.com/faves?sub=addfavbtn&add=http://ferdinandvongalitzien.blogspot.com"><img src="http://static.technorati.com/pix/fave/tech-fav-1.png" alt="Add to Technorati Favorites" /></a></div>Ferdinand Von Galitzienhttp://www.blogger.com/profile/12125691436059972287noreply@blogger.com0tag:blogger.com,1999:blog-18289085.post-48548697691330146252013-04-26T23:00:00.001+02:002013-04-26T23:00:38.991+02:00"Zakroyshchik Iz Torzhka" (1925) By Yakov Protazanov<!--[if gte mso 9]><xml>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR4i8U1NEKDfyK8tjTpDbtWMoAgfHqORH3HTyDCSqH4kh8UMNFS2aN91Yo7qNjj2KMusCf1LEj3NEftnP1B-FljZoC5g4pbidPPLrOZH1eErpzn4iLUwXcTwecmEKsbmTEjdfVDA/s1600/yakovprotazanov1925zakr.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="132" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR4i8U1NEKDfyK8tjTpDbtWMoAgfHqORH3HTyDCSqH4kh8UMNFS2aN91Yo7qNjj2KMusCf1LEj3NEftnP1B-FljZoC5g4pbidPPLrOZH1eErpzn4iLUwXcTwecmEKsbmTEjdfVDA/s200/yakovprotazanov1925zakr.jpg" width="200" /></a></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr Igor
Ilinsky was a very famous actor in the U.S.R.R. during the 20s; although with a
drama theater background, his career achieved popularity thanks to his comic
roles where he played simple and clumsy heroes who triumph through sheer
stubbornness in spite of many complications. Herr Ilinsky's silent career as a
comedian was linked to Herr Yakov Protazanov; he worked with the Russian film
director in many of his 20s comedies either in the lead or supporting
roles.<span style="mso-spacerun: yes;"> </span>These hilarious comedies stand
out in a film industry pervaded by political propaganda.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">In “Zakroyshchik
Iz Torzhka” (1925) ( The Tailor From Torzhok ) directed by Herr Yakov
Protazanov, Herr Ilinsky plays the role of Petya, a small-town tailor who works
in “The Widow Shirinkina & Co.”, a tailor workshop<span style="mso-spacerun: yes;"> </span>where he is the partner of the plump, greedy
old widow Frau Shirinkina,.<span style="mso-spacerun: yes;"> </span>The shop
specializes in both uniforms and civilian clothes.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">In the same
small-town there is Herr Semizhilov, a skinny, greedy old widower who owns a
grocery shop; he has a young niece, Frau Katya, who works for him as a domestic
servant.<span style="mso-spacerun: yes;"> </span>He abuses and beats her
frequently.<span style="mso-spacerun: yes;"> </span>Frau Katya and Herr Petya
are in love but their romance is complicated when the widow Shirinkina is
encouraged by her witchy friends to marry her partner.<span style="mso-spacerun: yes;"> </span>Needless to say Petya is not happy.<span style="mso-spacerun: yes;"> </span>Fortunately, the tailor buys a winning
lottery ticket and, after many misunderstandings, his dream comes true.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr
Protazanov’s silent comedies, although considered minor oeuvres in his film
career, are very remarkable ones for their regional backgrounds ( sincere
portraits of small-town and urban life ) and classicism in film narrative.<span style="mso-spacerun: yes;"> </span>He is of course obliged to put some political
content into the movie but it doesn’t get in the way of the humor in this very
funny film.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">“Zakroyshchik Iz
Torzhka”, was actually commissioned as publicity for the sake of the State
Lottery Loan.<span style="mso-spacerun: yes;"> </span>We also have the
shop-keeper complaining about a “damned” cooperative set down in front of his
shop that he feels will ruin his business. There is also a small-town Trade
Union Bureau set up to deal with the exploitation of domestic servants; thanks
to this Frau Katya becomes aware that she’s not a serf and that working
conditions under from Czarist times are gone( put an aristocratic sigh here ). </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">The most evident
political propaganda in the film is when Sunday voluntary workers ( Voskresnik
) launch a flying propaganda campaign in the small-town, namely a kite, that
says “religion is opium for the masses”. None of these political references
reduce the artistry and humor of the film, a perfect combination of Herr
Protazanov’s skillful direction and Herr Ilinksy’s comic persona.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">And now, if
you'll allow me, I must temporarily take my leave because this German Count
must buy a winning lottery ticket.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr Graf
Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">-/-</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Herr
Igor Ilinsky fue un actor muy famoso durante la década de los silentes años 20
en la U.R.S.S.; aunque poseía una formación teatral dramática, Herr Ilinsky
alcanzó la popularidad gracias a sus personajes cómicos, interpretando simples
y torpones héroes los cuales gracias a su obstinación consiguen finalmente,
después de muchas complicaciones, sus propósitos.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">La
carrera como comediante de Herr Ilinsky va unida a la de Herr Yakov Protazanov;
ambos trabajaron juntos en varias comedias durante los años 20 del siglo
pasado, en donde el actor ruso interpretaba papeles principales o secundarios,
divertidas obras cómicas que destacan por su excepcionalidad dentro de una
industria, como era la de la U.R.S.S. , en donde prevalecían los filmes
propagandísticos.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">En
el filme “Zakroyshchik Iz Torzhka” (1925), Herr Ilinsky interpreta el papel de
Petya, un sastre de pueblo el cual trabaja en la importante compañía de
confección de la viuda Shrinkina, una tienda especializada en confeccionar
tanto uniformes como ropa civil, en donde Herr Petya es socio de la oronda y
avariciosa viuda Frau Shrinkina.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">En
el mismo pueblo también reside Herr Semizhilov, un delgaducho y avaricioso
viudo, el cual regenta un ultramarinos; para las labores domésticas tanto de la
tienda como de la casa, Herr Semizhilov cuenta con la ayuda de una sobrina,
Frau Katya, a la cual martiriza continuamente.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Ambos
jóvenes, Frau Katya und Herr Petya, están enamorados el uno del otro, pero la
viuda Shrinkina, alentada por alguna de sus pérfidas amigas, tiene la intención
de casarse con su socio, un hecho éste que no convence del todo a Herr Petya.</span></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">De
forma accidental, el sastre comprará un billete de lotería el cual será
premiado posteriormente con 100.000 rublos, un golpe de suerte que ayudará,
después de varios malentendidos, a que los sueños de Herr Petya se hagan
realidad.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Las
comedias silentes de Herr Protazanov, aunque son consideradas obras menores,
destacan por su costumbrismo ( sinceros retratos de la vida cotidiana campestre
y urbana ) y clasicismo en cuanto a su narrativa cinematográfica, divertidas
obras que funcionan muy bien gracias a sus elaboradas tramas repletas de
malentendidos y simplistas situaciones cómicas; además, Herr Protazanov
manejaba muy bien los aspectos propagandísticos que en numerosas ocasiones era
necesario incluir en el filme.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">En
“Zakroyshchik Iz Torzhka”, filme que fue encargado por el organismo estatal de
loterías de la U.R.S.S., se puede contemplar algunos de esos sibilinos mensajes
propagandísticos los cuales no interfieren demasiado con la comicidad del
filme; por ejemplo, el tendero Herr Semizhilov se queja de una “maldita” cooperativa
que tiene instalada enfrente de su negocio y que puede significar la ruina de
su negocio.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Asimismo
en el pueblo, hay una oficina del sindicato de comercio en donde a uno de sus
camaradas se le encarga la tarea de denunciar la explotación laboral de las
empleadas domésticas, gracias a éste, Frau Katya tomará conciencia de su
penosas condiciones laborales, echando en cara a su tío que los tiempos del Zar
ya han pasado ( coloquen ustedes aquí un suspiro aristocrático ) y
consecuentemente lo mismo ha acontecido con la esclavitud.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">La
referencia propagandística más evidente que se puede ver en el filme es cuando
unos voluntarios trabajadores dominicales ( Voskresnik ) lanzan propaganda
aérea en el pueblo, más concretamente en una cometa, en donde han escrito “la
religión es el opio del pueblo”.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Como
este conde germánico ha mencionado anteriormente, esas referencias políticas no
lastran en demasía la comicidad y el interés artístico del filme, gracias a una
divertida historia repleta de estereotipados personajes alrededor de un billete
de lotería premiado, destacando sobretodo la hábil dirección de Herr Protazanov
y la interpretación de Herr Ilinsky, el perfecto equipo éste de las comedias
silentes rodadas en la U.R.S.S. durante la década de los años veinte del siglo
pasado.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Y
ahora si me lo permiten, les tengo que dejar momentáneamente, pues este conde
germánico tiene que comprar un billete de lotería premiado.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Herr
Graf Ferdinand Von Galitzien</span></div>
<div class="blogger-post-footer"><a href="http://technorati.com/faves?sub=addfavbtn&add=http://ferdinandvongalitzien.blogspot.com"><img src="http://static.technorati.com/pix/fave/tech-fav-1.png" alt="Add to Technorati Favorites" /></a></div>Ferdinand Von Galitzienhttp://www.blogger.com/profile/12125691436059972287noreply@blogger.com0tag:blogger.com,1999:blog-18289085.post-48873216392613541832013-04-19T23:43:00.002+02:002013-04-19T23:43:28.304+02:00"Chelovek Iz Restorana" (1927) By Yakov Protazanov<!--[if gte mso 9]><xml>
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<br />
<div class="MsoNoSpacing">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVUiHovUT30sXlCupocOLOCyDZnYlhOLAkP0xff8Ios66m9AUisxwih9Y2DivRGXf0yeU-Dhpi7sVGg4lg3A3p38fsQ6lQoZnbZK3JKAgkHZsbVPthgP96SO2Ba7KSEl1lk0bXPw/s1600/yakovprotazanov1927chel.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVUiHovUT30sXlCupocOLOCyDZnYlhOLAkP0xff8Ios66m9AUisxwih9Y2DivRGXf0yeU-Dhpi7sVGg4lg3A3p38fsQ6lQoZnbZK3JKAgkHZsbVPthgP96SO2Ba7KSEl1lk0bXPw/s200/yakovprotazanov1927chel.jpg" width="133" /></a><span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">During the good
old days of the Russian aristocracy, that is to say, before the October
Revolution, in the city of Moscow there was a fancy restaurant which catered to
the appetites and egos of the rich. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">In one such
establishment works a middle-aged waiter who is devoted to serving his
bourgeoisie clients correctly.<span style="mso-spacerun: yes;"> </span>However,
his life outside his job is very different: His son was killed during the
Russian civil war and the waiter’s wife died of grief as a result.<span style="mso-spacerun: yes;"> </span>The waiter’s daughter is a beautiful
schoolgirl but she has to drop out of school because of her father’s financial
problems.<span style="mso-spacerun: yes;"> </span>The waiter is obliged to rent
a room in his small apartment.<span style="mso-spacerun: yes;"> </span>The young
man who applies for it quickly falls in love with the daughter.<span style="mso-spacerun: yes;"> </span>The waiter finds a job as a violinist for his
daughter in his restaurant (vive le nepotism!) but there she attracts the
unwanted attentions of a middle aged factory owner who has lecherous designs on
her.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">“Chelovek Iz
Restorana” ( Man From The Restaurant ) (1927) was directed by the prolific
Russian film director Herr Yakov Protazanov, a very interesting film wherein
different subjects are subtly outlined and put together in an understated and
skillful way.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">For example, the
film depicts the different sides of Russian society before the Revolution;
inside the restaurant exists a world of opulence and excess but outside that
artificial atmosphere injustice reigns.<span style="mso-spacerun: yes;">
</span>Indeed even within the restaurant life is hard for the employees so the
need for a union arises.<span style="mso-spacerun: yes;"> </span>The upper
classes are depicted as corrupt and this point is brought home by the behavior
of the factory owner who steals secret war documents and blackmails the
waiter’s daughter by threatening to frame her boyfriend (the tenant) for his
crime.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">These
complicated situations will converge “in crescendo climax” wherein Herr
Protazanov<span style="mso-spacerun: yes;"> </span>pulls together every dramatic
element of the story with its opposing class forces until he reaches a frenzied
finale in which justice and dignity finally triumph.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">And now, if
you'll allow me, I must temporarily take my leave because this German Count is
going to a fancy Muscovite restaurant with one of his rich Teutonic heiress
(who of course will pay the bill)</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr Graf
Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">-/-</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">En
los buenos y viejos tiempos aristocráticos de la vieja Rusia, esto es, antes de
la revolución de octubre, en la ciudad de Moscú había un elegante restaurante
en donde el que era alguien en la capital rusa debía dejarse caer por allí para
alimentar tanto a su cuerpo como a su ego.</span></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">En
dicho lugar trabaja, entre otros, un camarero de mediana edad el cual dedica
todo sus esfuerzos en atender como se merece a tan importante clientela
burguesa, pero la vida es bien diferente tras las puertas del restaurante para
el susodicho camarero.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Nuestro
héroe tiene un hijo el cual muere en el frente durante la guerra civil rusa;
una vez que la mujer del camarero recibe tan terribles noticias, ésta
enfermará, muriendo al poco tiempo de pena.</span></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">El
camarero tiene también una hija, un agraciada fraulein la cuala recibe clases
en un centro de enseñanza primaria, pero debido a problemas financieros muy
pronto será excluida debido a la falta de rublos con los que poder pagar la
matrícula del centro.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Son
tiempos duros para el camarero y su hija, ciertamente, por dicho motivo deciden
alquilar una habitación de su humilde apartamento, apareciendo al poco tiempo
un joven interesado en la misma, un jovenzuelo que enseguida se enamorará de la
hija del camarero.</span></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Ésta
última, gracias a la ayuda de su padre ( ¡vive le nepotisme! ) encuentra
trabajo como violinista en la orquesta del restaurante, no pasando
desapercibido tanto su talento como su belleza, especialmente para un viejo
empresario el cual hará todo lo posible para poner encima de la fraulein sus
avariciosas garras.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">El
filme “Chelovek Iz Restorana” (1927) fue dirigido por el prolífico director
ruso Herr Yakov Protazanov, una película muy interesante en donde diferentes
temas son sabiamente expuestos y conjuntados éstos de forma hábil y sibilina.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Por
ejemplo, el filme refleja las diferentes realidades existentes en la sociedad
rusa antes de la revolución; dentro del restaurante se puede contemplar un
mundo de excesos y opulencia mientras que fuera de dicho recinto la vida diaria
resulta ser muy dura para nuestro héroe ( su hijo y mujer mueren, su hija es
expulsada del colegio ) mostrando Herr Protazanov esos dos mundos tan
diferentes de una misma sociedad, incluyendo asimismo una especie de sátira
social.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">La
política también está incluida en el filme de forma subrepticia; debido a las
peculiares condiciones laborales que sufren los empleados del restaurante, muy
pronto éstos considerarán la necesidad de crear o unirse a un sindicato;
asimismo se muestra la prepotencia y arrogancia que muestran los burgueses y
militares hacia los trabajadores del restaurante, sin olvidarse igualmente de
la corrupción existente a diario en los altos estamentos estatales.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Ésta
degradación social tendrá su máximo exponente cuando el empresario roba un
importante y secreto documento de guerra en el departamento del ministerio de
guerra en donde trabaja el inquilino del camarero como correo, para poder así
chantajear y aprovecharse el empresario de la novia del susodicho, así como
arruinar la carrera profesional de éste último.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Tan
complicada situación confluirá al final del filme con un “climax in crescendo”
en donde Herr Protazanov, reúne todos los elementos dramáticos anteriormente
expuestos en el filme, esto es, las diferentes clases sociales, el abuso de
poder, la corrupción e injustica, logrando de ésta forma el director ruso un
final frenético en donde la dignidad y justicia social es finalmente
reinstaurada.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Y
ahora si me lo permiten, les tengo que dejar momentáneamente, pues este conde
germánico se va a ese elegante restaurante moscovita de la mano de una de sus
ricas herederas teutonas, la cuala, obviamente, pagará la cuenta.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Herr
Graf Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="blogger-post-footer"><a href="http://technorati.com/faves?sub=addfavbtn&add=http://ferdinandvongalitzien.blogspot.com"><img src="http://static.technorati.com/pix/fave/tech-fav-1.png" alt="Add to Technorati Favorites" /></a></div>Ferdinand Von Galitzienhttp://www.blogger.com/profile/12125691436059972287noreply@blogger.com0tag:blogger.com,1999:blog-18289085.post-15836655684033414172013-04-12T23:54:00.001+02:002013-04-12T23:54:32.267+02:00"Kukla S Millionami" (1928) By Sergei Komarov<!--[if gte mso 9]><xml>
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<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBhxcek8A8QfU6AWn8pmCkWHVjsyp-yJaicGnCqx79Vb2ubDgJYJeGSlmls1u6xX2fMzrujx_NhNUGKC5NEUsjmGHoP2lv0-Vv3124H03KWNsakz1aFnddmQQ4BX9MJ4fGHUSOuQ/s1600/%D0%9A%D1%83%D0%BA%D0%BB%D0%B0+%D1%81+%D0%BC%D0%B8%D0%BB%D0%BB%D0%B8%D0%BE%D0%BD%D0%B0%D0%BC%D0%B8.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBhxcek8A8QfU6AWn8pmCkWHVjsyp-yJaicGnCqx79Vb2ubDgJYJeGSlmls1u6xX2fMzrujx_NhNUGKC5NEUsjmGHoP2lv0-Vv3124H03KWNsakz1aFnddmQQ4BX9MJ4fGHUSOuQ/s200/%D0%9A%D1%83%D0%BA%D0%BB%D0%B0+%D1%81+%D0%BC%D0%B8%D0%BB%D0%BB%D0%B8%D0%BE%D0%BD%D0%B0%D0%BC%D0%B8.jpg" width="142" /></a></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">During the early
Bolshevik era in Russia there were many serious experimental, industrial and
propaganda films but there was still room for the occasional comedy.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">“Kukla S
Millionami” (The Doll With The Millions) (1928) was precisely one of those
exceptions in a film industry that was more interested in avant-garde films or
political propaganda.<span style="mso-spacerun: yes;"> </span>The director, Herr
Sergei Komarov, had earlier done another comedy, “Potseluy Meri Pikford” ( The
Kiss From Mary Pickford ) (1927), using, via montage techniques, the famous
American couple’s ( Frau Mary Pickford und Herr Douglas Fairbanks ) visit to
Russia one year before.<span style="mso-spacerun: yes;"> </span>This latter
movie was actually the astonishing Herr Komarov’s debut as a director ( he was
formerly an actor).<span style="mso-spacerun: yes;"> </span>These two very funny
comedies certainly stand out amidst the otherwise sober and humorless
productions of the day.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">The film tells
the story of Madame Collins, a rich old Parisian woman who is on her
deathbed.<span style="mso-spacerun: yes;"> </span>Her two nephews, Herr Paul and
Herr Pierre, are idle youngsters who care very much for their auntie,
especially for her millions.<span style="mso-spacerun: yes;"> </span>When Madame
Collins finally dies, the rich widow leaves all her fortune to a niece, Frau
Maria Ivanova .<span style="mso-spacerun: yes;"> </span>No one knew about her
existence because when Madame Collins’ cousin escaped from Moscow she married a
Russian and hid Maria’s documents inside her doll.<span style="mso-spacerun: yes;"> </span>Madame Collins’ will describes her heiress as
17 years old and with a birthmark on her shoulder.<span style="mso-spacerun: yes;"> </span>However, she will not actually receive her
inheritance until her wedding day.<span style="mso-spacerun: yes;">
</span>Shocked by this development, Pierre and Paul immediately head for Moscow
in the hopes of finding Maria Ivanova and marrying her for her millions.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">“Kukla S
Millionami” is a classic comedy full of the characteristics of this film genre,
that is to say, funny gags with misunderstandings, chases and hidden identities
and intentions.<span style="mso-spacerun: yes;"> </span>It’s a funny, face paced
story featuring resourceful comic actors like Vladimir Fogel as the elegant and
debt plagued dandy Pierre and, Igor Illinsky as the more down to earth
Paul.<span style="mso-spacerun: yes;"> </span>The feminine characters are also
two different types; the Muscovite heiress ( Frau Ada Voitsik ) is a
responsible science student in contrast with the Parisian Frau Blanche ( Frau
Galina Kravchenko ), a dancer with a lot of temperament but not much talent.
These four characters will interact and be involved in funny situations in a
film that owes a debt to classic American comedies.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">And now, if
you'll allow me, I must temporarily take my leave because this German Count
must track down an unknown relative who also happens to be a rich heiress.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr Graf
Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">-/-</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Durante
los primeros y antiguos días de la Rusia comunista, en el cinema bolchevique
había incluso espacio para las comedias, olvidándose los directores de la nueva
unión de repúblicas soviéticas, aunque solo fuese por un instante, de esos
filmes experimentales, industriales y propagandísticos que alababan los logros
de la nueva era política.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">“Kukla
S Millionami” (1928) fue precisamente una de esas excepciones en una industria
cinematográfica, como era la de la U.R.S.S. de entonces, mucho más interesada
en filmes propagandísticos o de vanguardia; ésta peculiar obra silente fue la
segunda dirigida por Herr Sergei Komarov ( tuvo una larga carrera como actor,
iniciándose en el cinematógrafo al lado de Herr Lev Kuleshov y su laboratorio
experimental ), siendo su primer filme también otra rara y particular comedia,
además de un sorprendente debut cinematográfico, “Potseluy Meri Pikford”
(1927), en donde se utilizaba, mediante el uso de un hábil de montaje, imágenes
de la visita a Moscú que la famosa pareja americana ( Frau Mary Pickford und
Herr Douglas Fairbanks ) había realizado un año antes, resultando ser éstas
obras dos divertidas y clásicas comedias silentes, en sus aspectos más
formales, obras que ciertamente fueron la excepción a la regla en la industria
cinematográfica de la U.R.S.S..</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">El
filme narra la historia de Madame Collins, una rica y vieja millonaria parisina
la cuala se halla en su lecho de muerte; entre otros familiares, tiene dos
sobrinos, Herr Paul und Herr Pierre, dos ociosos jóvenes muy preocupados por su
tía, especialmente por sus millones.</span></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Cuando
finalmente Madame Collins fallece, la rica viuda deja su fortuna a otra
sobrina, Frau Maria Ivanova, de la cual nadie sabía nada hasta ahora y es que
cuando una prima de la fallecida escapó de Moscú, se había casado con un
moscovita, escondiendo los documentos identidad de la susodicha dentro de su
muñeca.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">El
testamento de la fallecida indica que la heredera tiene 17 años, una marca de
nacimiento en el hombro y podrá tener acceso a su herencia el día en el que
contraiga matrimonio; sorprendidos por tan inesperadas noticias, Herr Pierre
und Herr Paul dejan París y viajan a Moscú en la búsqueda de María Ivanova para
casarse con ella y de ésta forma tener acceso a su millonaria herencia.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">“Kukla
S Millionami” es una comedia clásica repleta de las características intrínsecas
de dicho género cinematográfico, esto es, divertidos gags e implícitos
malentendidos, persecuciones, identidades enmascaradas y ocultas intenciones,
una comedia que funciona muy bien gracias a su hilarante ritmo cinematográfico,
montaje y divertida historia, desarrollada ésta por actores con hábiles
recursos cómicos y personajes muy bien perfilados.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Herr
Pierre ( Vladimir Fogel ) es el serio, elegante y endeudado dandi en contraste
con Herr Paul ( Igor Ilinsky ), vivaracho y simple, siendo éste último un
reconocido y famoso actor cómico de la primera época comunista soviética.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Los
personajes femeninos son también divergentes, la heredera moscovita ( Frau Ada
Voitsik ) es una responsable estudiante de ciencias, en contraste con la
parisina Frau Blance ( Frau Galina Kravchenko ) una bailarina con mucho
temperamento pero escasas dotes artísticas.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Los
cuatro personajes interactúan y se verán involucrados en divertidas situaciones
que transcurren en diferentes ciudades y ambientes, persiguiendo cada uno de
ellos sus propios intereses los cuales al final, más o menos, serán éstos
conseguidos, en lo que resulta ser una animada y divertida comedia clásica la
cual debe mucho en aspectos estilísticos a las comedias americanas.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Y
ahora si me lo permiten, les tengo que dejar momentáneamente pues este conde
germánico tiene que seguir el rastro de una desconocida y rica parienta.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Herr
Graf Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="blogger-post-footer"><a href="http://technorati.com/faves?sub=addfavbtn&add=http://ferdinandvongalitzien.blogspot.com"><img src="http://static.technorati.com/pix/fave/tech-fav-1.png" alt="Add to Technorati Favorites" /></a></div>Ferdinand Von Galitzienhttp://www.blogger.com/profile/12125691436059972287noreply@blogger.com2tag:blogger.com,1999:blog-18289085.post-64634321908529335052013-04-05T22:51:00.002+02:002013-04-05T22:52:33.121+02:00"Zhizn' Za Zhizn" (1916) By Evgenii Bauer<!--[if gte mso 9]><xml>
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<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">The most
remarkable aspect of many of Herr Evgenii Bauer’s outstanding films is their
modernism; that’s the most representative characteristic of these early silent
oeuvres wherein contemporary stories are developed with intensity and
drama.<span style="mso-spacerun: yes;"> </span>After 100 years Herr Bauer’s work
is still refreshing and inventive which indicates how different his films are
from the typical movies of his day which were often little more than filmed
stage plays.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">“Zhizn’ Za
Zhizn” ( A Life For A Life ) (1916) is the best proof of what this Herr Graf is
referring to; that is to say, a splendid and modern early silent film wherein a
complex plot is brilliantly developed.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">The film tells
the story of Frau Khromova ( Frau Olga Rakhmanova ), a wealthy woman who has
two daughters, Frau Musia ( Frau Lidia Koreneva ) und Frau Nata ( Frau Vera
Kholodnaia ); the latter one was adopted but equally loved by the millionaire
widow.</span></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Pretty soon both
girls will attract the attention of two different suitors, the Prince Bartinsky
( Herr Vitold Polonsky ) und Herr Zhurov ( Herr Ivan Perestiani ), the latter a
wealthy fellow but the Prince, as usually happens in aristocratic circles, has
plenty of noble titles but not a single ruble.<span style="mso-spacerun: yes;">
</span>Herr Zhurov suggests to the Prince that he should marry Frau Musia and
in this way his financial problems will be solved; Herr Zhuriv will marry Frau
Nata. </span></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">The double
wedding goes ahead as they agreed but the heart doesn’t always follow clever
plans so it is the Prince and Frau Nata who fall madly in love with each other,
a situation that develops even before the wedding. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">The problems
caused by these adulterous relationships are brilliantly depicted by Herr Bauer
with skillful editing and the advanced use of medium shots and close-ups.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">As always
happens in Herr Bauer’s films, the art direction is particularly striking and
the acting very powerful.<span style="mso-spacerun: yes;"> </span>The female
characters, free and liberal,<span style="mso-spacerun: yes;"> </span>prove
stronger than the male ones who ultimately suffer the terrible consequences.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">And now, if
you'll allow me, I must temporarily take my leave because this German Count
must make up his aristocratic mind about true love or true economic interests.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr Graf
Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">-/-</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">El
aspecto más destacable de los grandes filmes de Herr Evgenii Bauer es su
modernismo, ésa es precisamente la característica más representativa de esos
filmes primigenios en donde se narran historias contemporáneas repletas éstas,
a partes iguales, de dramatismo y una gran intensidad emocional, manteniendo
éstos después de 100 años intacto su interés cinematográfico, certificando de
ésta forma la habilidad e inventiva que poseía Herr Bauer en tan tempranos
tiempos cuando la mayoría de los filmes de la época era simples secuencias de
imágenes teatralizadas.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">“Zhizn’
Za Zhizn” (1916) es la constatación acerca de lo que éste Herr Graf está
hablando, esto es, una espléndida, temprana y moderna obra silente en donde una
trama compleja es desarrollada de forma ciertamente brillante.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">El
filme narra la historia de Frau Khromova ( Frau Olga Rakhmanova ), una mujer
adinerada y sus dos hijas, Frau Musia ( Frau Lidia Koreneva ) und Frau Nata (
Frau Vera Kholodnaia ), ésta última adoptada por la rica y viuda millonaria
pero a la cual quiere como si de su propia hija se tratase.</span></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Muy
pronto las dos jóvenes atraerán la atención de dos diferentes pretendientes, el
príncipe Bartinsky ( Herr Vitold Polonsky ) und Herr Zhurov ( Ivan Perestiani
), siendo éste último un hombre con posibles y el príncipe, como habitualmente
acontece en los círculos aristocráticos, poseedor de numerosos títulos
nobiliarios pero sin ningún rublo.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Debido
a que ambos dos se conocen de antaño, Herr Zhurov le sugiere al príncipe que
éste se cae con Frau Musia para así poder saldar sus problemas financieros,
casándose Herr Zhurov con Frau Nata; finalmente la doble boda se celebra tal y
como ambos acordaron pero el corazón no entiende de extraños tratos y sí de
sinceros sentimientos… y es que incluso antes de los enlaces matrimoniales, el
príncipe y Frau Nata se enamoran desesperadamente, una relación ilícita y
adúltera que continuará después de sus respectivas bodas, causando dicha
relación una terrible conmoción entre los respectivos miembros de las dos
diferentes parejas.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Esta
atractiva historia de adulterio y parejas entrelazadas, es desarrollada
brillantemente por Herr Bauer, el cual disecciona de forma elaborada, los
conflictos sentimentales y de intereses reflejados en el filme, evitando la
confusión gracias a un hábil montaje, sibilinos movimientos de cámara y el uso
de medios y planos cortos, destacados efectos técnicos éstos para una obra tan
temprana silente, ja wohl!.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Como
suele suceder en los filmes de Herr Bauer, la dirección artística brilla
especialmente, adaptándose en la misma sus diferentes personajes, poderosos
personajes ubicados en un vertiginoso mar de sentimientos contradictorios en
donde el drama está al acecho de forma continua, muy bien interpretados éstos
por los actores del filme, en donde los personajes femeninos suelen ser siempre
los más fuertes, libres, liberales y dueños de sus propias decisiones, siendo
los personajes masculinos los más débiles y los que al final pagarán todas y
cada una de la terribles consecuencias.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Y
ahora si me lo permiten, les tengo que dejar momentáneamente, pues este conde
germánico tiene que aristocráticamente elegir entre el amor verdadero o los
verdaderos intereses económicos.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Herr
Graf Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="blogger-post-footer"><a href="http://technorati.com/faves?sub=addfavbtn&add=http://ferdinandvongalitzien.blogspot.com"><img src="http://static.technorati.com/pix/fave/tech-fav-1.png" alt="Add to Technorati Favorites" /></a></div>Ferdinand Von Galitzienhttp://www.blogger.com/profile/12125691436059972287noreply@blogger.com1tag:blogger.com,1999:blog-18289085.post-3835943309697598782013-03-29T23:18:00.000+01:002013-03-29T23:18:06.317+01:00"Deti Veka" (1915) By Evgenii Bauer<!--[if gte mso 9]><xml>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvYWlDtHiMX7TLmA45aGiV-Af8UlfkyEIr4uB5k9z-zZ9bUWLiEtulGGnozTQ89taHPMNriJNIyxnSXzbx88udDAzo_tU5OHy_EpwL6k9PxvO8WWT6FpLMj2cT72Qha1INuiKAWQ/s1600/children-of-the-age.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvYWlDtHiMX7TLmA45aGiV-Af8UlfkyEIr4uB5k9z-zZ9bUWLiEtulGGnozTQ89taHPMNriJNIyxnSXzbx88udDAzo_tU5OHy_EpwL6k9PxvO8WWT6FpLMj2cT72Qha1INuiKAWQ/s200/children-of-the-age.jpg" width="200" /></a></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">For
this German count, Herr Evgenii Bauer was the most talented, skillful and
resourceful early Russian silent director of the pre-revolutionary time.<span style="mso-spacerun: yes;"> </span>His films were full of style and elegance and
very accomplished in their technical aspects especially considering the
primitive cinematographic elements that were the norm in that early era.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">“Deti
Veka” ( Children Of The Age ) (1915) although is not one of Herr Bauer’s<span style="mso-spacerun: yes;"> </span>greatest works has many assets that deserve
attention, especially as so few of his films have survived to these modernen
times.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">The
picture tells the story of Frau Maria ( Frau Vera Kholodnaia ), a devoted wife
of a bank employee.<span style="mso-spacerun: yes;"> </span>The couple has a
cozy life; they have a baby but he is cared for by their maid so Frau Maria can
spend her time doing terrific things like going shopping.<span style="mso-spacerun: yes;"> </span>During one of these consumer afternoons Frau
Maria meets by chance an old friend, Frau Lidia, who will introduce her to
exclusive idle social circles.<span style="mso-spacerun: yes;"> </span>Soon Frau
Maria’s beauty attracts the interest of Herr Lebedev, a rich old
libertine.<span style="mso-spacerun: yes;"> </span>From that point on Frau Maria
suffers continual sexual harassment (worthy of inclusion of any silent film
encyclopedia article on beleaguered heroines) which she resists for a
time.<span style="mso-spacerun: yes;"> </span>In the end however she falls into
his bourgeois claws.</span></div>
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<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">Herr
Bauer smoothly maintains the pace of this sad drama and the Russian sets work
very well ( Herr Bauer entered films as set designer ).<span style="mso-spacerun: yes;"> </span>We see Maria’s peaceful life in her apartment
with her husband and child contrasted with the luxurious settings Herr Lebedev
uses to gain Maria’s favour.<span style="mso-spacerun: yes;"> </span>The film
narrative has a very modern flavor.<span style="mso-spacerun: yes;">
</span>There is also subtle criticism of the upper classes: Herr Lebedev uses
his influence to get the husband fired from the bank and then offers him money
to leave Maria and their child.<span style="mso-spacerun: yes;"> </span>This
leads to a tragic denouement.<span style="mso-spacerun: yes;"> </span>Indeed the
husband is the proper hero of the film and he suffers in bewilderment to see
his peaceful life shattered to pieces and with it the loss of his family and
job.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">In
technical aspects, the film includes light camera movements and editing that
while not very astounding are quite effective in advancing the story; this is
typical of Herr Bauer’s well known elegance.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">And
now, if you'll allow me, I must temporarily take my leave because this German
Count must leave one rich heiress behind and move on to another one.</span></div>
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<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">Herr
Graf Ferdinand Von Galitzien</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">-/-</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">Para éste conde germánico, Herr Evgenii
Bauer fue, sin ningún lugar a dudas, el director con más recursos, habilidades
y más talento de la primera época del cinematógrafo en la vieja Rusia, esto es,
durante los tiempos pre-revolucionarios silentes.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">Sus filmes, en términos artísticos,
están repletos de estilo y elegancia, además de ser muy ingeniosos en
cuestiones técnicas, consiguiendo siempre Herr Bauer los mejores resultados
posibles teniendo en cuenta los primitivos recursos cinematográficos que había
en tan temprana época silente.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">“Deti Veka” (1915), aunque no es uno de
los más celebrados filmes de Herr Bauer, sí tiene numerosos aspectos que hacen
que dicha película sea más que interesante para los cinéfilos silentes,
destacando además el hecho de que cualquier filme del director ruso siempre
merece atención y consideración, teniendo en cuenta las pocas obras suyas que
han sobrevivido hasta éstos tiempos modernistas.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">El filme narra la historia de Frau Maria
( Frau Vera Kholodnia ), abnegada esposa de un empleado de banca; la pareja
disfruta de una vida tranquila junto a su hijo pequeño y una doncella que cuida
del infante para que así Frrau Maria pueda disponer de más tiempo libre para
dedicarlo a tareas más excitantes como irse de compras; será precisamente
durante una de esas tardes consumistas cuando Frau Maria se encontrará de nuevo
con una vieja amiga, Frau Lidia, la cuala la introducirá en selectos círculos
sociales en donde muy pronto su belleza atraerá el interés de Herr Lebedev, un
rico y viejo libertino.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">A partir de entonces, Frau María sufrirá
un continuo acoso sexual digno de aparecer en cualquier enciclopedia silente
que se precie y aunque nuestra heroína al principio resiste admirablemente el
frenético cortejo de Herr Lebedev, finalmente caerá irremisiblemente en sus
burguesas garras.</span></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">Herr Bauer mantiene estoicamente el
ritmo de éste drama moderno el cual transcurre en diferentes escenarios, los
cuales el director ruso muestra con especial atención y cuidado ( por algo Herr
Bauer tenía formación como director artístico ); escenarios de interiores y
exteriores en donde se muestra, por una parte, la tranquila vida cotidiana de
Frau Maria y su esposo e hijo en su apartamento y por otra, la lujosa vida de
excesos de la burguesía, incluyendo además los diferentes lugares en donde Herr
Lebedev intenta desesperadamente ganarse el favor de Frau Maria, consiguiendo
Herr Bauer, una continua y moderna narrativa cinematográfica.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">En tan divergentes clases sociales y sus
correspondientes hábitats, se puede apreciar una implícita y sutil crítica
acerca del abuso de poder de las clases altas, destacando especialmente las
artimañas de Herr Lebedev para conseguir su codiciada presa, no dudando en usar
decsu influencia para intentar echar del trabajo al marido de Frau Maria o
cuando le ofrece dinero al susodicho empleado de banca para éste permita que su
esposa e hijo lo abandone, hechos éstos que, lógicamente causarán un terrible
efecto en él, precipitando un trágico final.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">Finalmente, Frau Maria se verá atrapada
y atraída por tan glamurosa vida social, pero desde luego la auténtica víctima
de los abusos de las altas clases será su marido, el verdadero héroe del filme
el cual, perplejo y atónito, verá como poco a poco su tranquila vida se rompe
en pedazos, perdiendo irremisiblemente a su mujer, su hijo y su trabajo.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">En cuestiones técnicas el filme incluye
pequeños movimientos de cámara e imaginativos y variados planos, en donde se
puede constatar precisamente esa bien conocida elegancia que poseía Herr Bauer
a la hora de dirigir sus celebrados filmes de la época zarista.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">Y ahora si me lo permiten, les tengo que
dejar momentáneamente, pues este conde germánico tiene que dejar a una de sus
ricas herederas teutónicas para irse con otra.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; line-height: 115%;">Herr Graf Ferdinand Von Galitzien</span></div>
<div class="MsoNormal">
<br /></div>
<div class="blogger-post-footer"><a href="http://technorati.com/faves?sub=addfavbtn&add=http://ferdinandvongalitzien.blogspot.com"><img src="http://static.technorati.com/pix/fave/tech-fav-1.png" alt="Add to Technorati Favorites" /></a></div>Ferdinand Von Galitzienhttp://www.blogger.com/profile/12125691436059972287noreply@blogger.com0tag:blogger.com,1999:blog-18289085.post-54216488052215723452013-03-22T21:47:00.000+01:002013-03-22T21:47:04.216+01:00"Mirazhi" (1915) By Pyotr Chardynin<!--[if gte mso 9]><xml>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4M5Javjes79NLslXDY_8ZkMj13AfHN5OC36uOpZoByK-BFzM_ewGXEZQkBeTWCQWFVTzXM9yNDKFdUMiM3qzLQ55uIoKg7LDYR-pWue4Hn-FiTRrxHndCtDBu4A05zm-hhyphenhyphenMGNg/s1600/Mirazhi.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="153" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4M5Javjes79NLslXDY_8ZkMj13AfHN5OC36uOpZoByK-BFzM_ewGXEZQkBeTWCQWFVTzXM9yNDKFdUMiM3qzLQ55uIoKg7LDYR-pWue4Hn-FiTRrxHndCtDBu4A05zm-hhyphenhyphenMGNg/s200/Mirazhi.jpg" width="200" /></a></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Frau Marianna (
Frau Vera Kholodnaia ) is a poor but decent fraulein who is working<span style="mso-spacerun: yes;"> </span>for the millionaire Herr Dymov; besides being
poor and decent, Frau Marianna has also a special concern and talent for the
Arts and it is precisely for this reason that Herr Dymov gave her the job of
reading books to him.<span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr Dymov has a
son, a dilettante youngster who with the help of his wealth will seduce Frau
Marianna who, besides being poor, decent and talented, has also a fiancée, Herr
Sergei.<span style="mso-spacerun: yes;"> </span>Frau Marianna doesn’t hesitate
to leave her family and fiancée in order to obtain the splendid life offered by
Herr Dymov Jr.<span style="mso-spacerun: yes;"> </span>Alas; their romance is
short lived.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">“Mirazhi” (
Mirages ) (1915) was another fruitful collaboration between the pioneer silent
film director, Herr Pyotr Chardynin and the Russian star Frau Vera Kholodnaia;
the film is one of those intense pre-revolutionary melodramas so characteristic
of the Russian early silent times before the coming of Bolshevism which
definitely put an end to a peculiar film artistic style.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">But that subject
certainly doesn’t mean that Russian pre-revolutionary oeuvres were lacking in
interest or did not achieve important artistic developments; on the contrary,
as can be seen in “Mirazhi”, the wealthy bourgeois life and the contrast with
the very different social realities and the daily hardships of the lower class
provide an opportunity to create stylized melodramas in the vein of great
Russian literature.<span style="mso-spacerun: yes;"> </span>Deception and
tragedy are skillfully depicted in a mere half hour.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr Chardynin’s
film settings are always careful and rich in details, including outdoor scenes
that open up the story and prevent it from becoming a mere filmed stage
play.<span style="mso-spacerun: yes;"> </span>The heroine, trapped in a golden
cage and doomed, is splendidly portrayed by Frau Kholodnaia.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">And now, if
you'll allow me, I must temporarily take my leave because this German Count
must do the same as Frau Marianna did except imitate her tragic final decision,
natürlich!.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr Graf
Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">-/-</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Frau
Marianna ( Frau Vera Kholodnaia ) es una joven fraulein, pobre pero decente, la
cuala recientemente se halla trabajando para el millonario Herr Dymov; además
de ser pobre y decente, Frau Marianna posee también un especial interés por las
artes y es precisamente gracias a dicha afición por la cual Herr Dymov la ha
contratado como su personal lectora de libros.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Herr
Dymov tiene un vástago, un joven diletante el cual con la ayuda de su poderío
económico, seducirá a la joven Marianna; ésta, además de pobre, decente y con
inclinaciones culturales, tiene además un novio, Herr Sergei, pero Frau
Marianna no dudará en abandonar tanto a su familia como a su novio para
entregarse a Herr Dymov Jr. y su espléndida vida de opulencia, pero
desafortunadamente éste muy pronto dejará de mostrar interés por Frau Marianna.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">En
el filme “Mirazhi” (1915), otro buen ejemplo de intenso melodrama
pre-revolucionario de la primera época silente rusa antes del advenimiento de
los Bolcheviques los cuales pusieron fin a tan peculiar estilo artístico
silente, volvieron a trabajar juntos el pionero director Herr Pyotr Chardynin y
la gran actriz rusa Frau Vera Kholodnaia.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Los
filmes pre-revolucionarios rusos, en comparación con la posterior época
bolchevique, poseían igualmente grandes innovaciones artísticas e interés
cinematográfico, tal y como se puede apreciar en “Mirazhi”, en donde dos divergentes
realidades sociales ( los ambientes burgueses y sus ociosas vidas en contraste
con las clases medias y sus grandes miserias ) se entremezclan y dan lugar a
estilizados melodramas muy deudores éstos de las grandes obras de la literatura
rusa, los cuales inspiraron a no pocos filmes pre-revolucionarios de la época.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">“Mirazhi”
posee todas esas peculiaridades y referencias en su escasa media hora de
metraje, en donde una joven se enamorará de un ocioso burgués y su suntuosa
vida para al final comprobar que ha sido totalmente engañada; un alma
atormentada con final trágico, esto es, todo un romántico y azarosos melodrama
pre-revolucionario ruso.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">En
los decorados de los filmes de Herr Chardynin se puede apreciar siempre un gran
cuidado por el mínimo detalle, además de incluir en sus obras escenas de
exteriores para así prevenir cierta teatralidad en su narrativa
cinematográfica, enriqueciendo de ésta forma sus películas con esos variados
escenarios los cuales interactúan y poco a poco van desarrollando, en este
caso, un trágico retrato romántico muy característico de los filmes
pre-revolucionarios, espléndidamente interpretado por Frau Kholodnaia,
mostrando dicha actriz el proceso de indiferencia y frustración que sufrirá
nuestra heroína, la cual se haya atrapada en una jaula de oro y que, consciente
de su peculiar situación, la llevará a tomar una drástica decisión.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Y
ahora si me lo permiten, les tengo que dejar momentáneamente, pues este conde
germánico tiene que seguir los pasos tomados por Frau Marianna, excepto su
trágica decisión final, natürlich!.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Herr
Graf Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="blogger-post-footer"><a href="http://technorati.com/faves?sub=addfavbtn&add=http://ferdinandvongalitzien.blogspot.com"><img src="http://static.technorati.com/pix/fave/tech-fav-1.png" alt="Add to Technorati Favorites" /></a></div>Ferdinand Von Galitzienhttp://www.blogger.com/profile/12125691436059972287noreply@blogger.com0tag:blogger.com,1999:blog-18289085.post-2416636653692559762013-03-15T22:04:00.000+01:002013-03-15T22:04:00.988+01:00"Molchi, Grust, Molchi" (1918) By Pyotr Chardynin<!--[if gte mso 9]><xml>
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<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoOnZWS7iu2AWPOEMccicPGfceqrI5-Q-dFStTGsi4ewRgHz60dwO9hOMPZrO4SYMZ1KN2DfKxs3cASjhhk4Dy11xul4jeLSXnWW-62eqxI7PcO24-rdz0dzYdX4xmK9Oq1r4uuw/s1600/1313681098_Molchi.grust...molchi.1918.s04.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoOnZWS7iu2AWPOEMccicPGfceqrI5-Q-dFStTGsi4ewRgHz60dwO9hOMPZrO4SYMZ1KN2DfKxs3cASjhhk4Dy11xul4jeLSXnWW-62eqxI7PcO24-rdz0dzYdX4xmK9Oq1r4uuw/s200/1313681098_Molchi.grust...molchi.1918.s04.jpg" width="200" /></a></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">The Russian
pre-revolutionary silent films were quite different in aesthetics and technical
aspects in comparison with the Bolshevik ones.<span style="mso-spacerun: yes;">
</span>Films in the pre-Marxist period were mostly melodramas, carefully made
and stylized with the classes being much idealized and romanticized.<span style="mso-spacerun: yes;"> </span>They also tended to be static and theatrical
and usually without the intense and skillful narrative of the later films.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr Pyotr
Chardynin was one of these well regarded pre-revolutionary silent directors who
worked, besides in old Russia, in many European countries and his star is Frau
Vera Kholodnaia, the most important and famous actress during Russian silent
times. Their film “Molchi, Grust, Molchi ( Be Silent, My Sorrow, Be Silent )
(1918), is one of the last pre-revolutionary films and is typical of that
period.<span style="mso-spacerun: yes;"> </span>It has a larger-than-life story wherein
Frau Kholodnaia shines thanks to her restrained, modern performance and great
beauty.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">The film tells
the story of two humble circus actors, Frau Paula und Herr Lorio.<span style="mso-spacerun: yes;"> </span>Herr Lorio’s fondness for booze causes him to
have an accident while performing as a clown acrobat.<span style="mso-spacerun: yes;"> </span>He is crippled for life and the couple is
obliged to become street musicians in order to make a living.<span style="mso-spacerun: yes;"> </span>Paula’s beauty always attracted many men even
during her circus times; now as street musicians, the couple performs sometimes
at parties given by rich gentleman where Paula enchants many with her singing
and good looks. One of the aristocrats seduces her and she leaves her husband
to become his mistress.<span style="mso-spacerun: yes;"> </span>This leads to
emotional turmoil and deception.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">The film
includes a kind of moral lesson in its story, namely the risks in store for
those fascinated by money and the easy life ( the delights of bourgeois style,
as is mentioned in the film’s opening credits).<span style="mso-spacerun: yes;">
</span>Our heroine discovers this when she exchanges her modest but happy
former life for one of riches which is full of false appearances and
selfishness, ultimately dragging her into the abyss.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">The film's sets
achieve the perfect mood implicit in the story, depicting accordingly the
circus atmosphere and contrasting FrauPaula’s and Herr Lorio’s modest home with
luxurious bourgeois apartments.<span style="mso-spacerun: yes;"> </span>It
combines realism and romanticism to create an intense drama full of mixed
emotions.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">It can be
appreciated also in the film the careful use of medium shots and close-ups as
well as some slight camera movement.<span style="mso-spacerun: yes;"> </span>The
stylized movie works very well thanks to Herr Chardynin’s remarkable
direction.<span style="mso-spacerun: yes;"> </span>Alas, only the first half of
the film has survived so we don’t know how Frau Paula dealt with her trying
circumstances, made even more difficult by an accidental murder!</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">And now, if
you'll allow me, I must temporarily take my leave because this German Count
must silence one of his Teutonic rich heiress' shrieking voice.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr Graf
Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">-/-</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Los
filmes silentes realizados antes de la revolución rusa mantenían evidentes
diferencias, tanto estilísticas como técnicas, en comparación con los de la
época bolchevique; los filmes pre-revolucionarios eran, en cuanto a cuestiones
estilísticas, cuidados y muy estilizados melodramas, en donde ciertos
conflictos burgueses así como las clases más bajas eran idealizadas dentro de
un contexto y ambiente romántico.</span></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">En
cuanto a cuestiones técnicas, los filmes pre-revolucionarios eran más estáticos
y teatrales, aunque ciertamente ello no impedía cierta intensidad y
originalidad en su narrativa cinematográfica, lograda ésta gracias a los
hábiles recursos de los directores silentes de la época.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Herr
Pyotr Chardynin fue uno de esos prestigiosos directores silentes de los tiempos
pre-revolucionarios el cual desarrolló su carrera cinematográfica, además de en
la vieja Rusia, en numerosos países europeos; asimismo Frau Vera Kholodnaia fue
la más importante y famosa actriz de dicha época, trabajando los dos juntos en
el exitoso drama “Molchi, Grust, Molchi” (1918), uno de los últimos filmes
realizados antes de la revolución rusa el cual reúne todas las virtudes y
méritos artísticos de los filmes pre-revolucionarios, una obra imperecedera en
donde Frau Kholodnaia brilla especialmente gracias a su comedida y moderna
interpretación además de su gran belleza.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">El
filme narra la historia de un modesto matrimonio de artistas circenses, Frau
Paula, cantante und Herr Lorio, acróbata; debido a la afición que Herr Lorio
tiene por la bebida, durante una actuación, éste, debido a su estado de
embriaguez, sufre un grave accidente al caerse, quedando lisiado para toda su
vida, un hecho éste que decidirá el futuro de la pareja, teniendo que actuar
como músicos callejeros para así poder ganarse la vida.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Frau
Paula y Herr Lorio de vez en cuando trabajan cómo músicos en fiestas privadas
que ofrecen en sus mansiones jóvenes y ricos burgueses; la belleza de Paula
siempre había atraído a los hombres, incluso durante su época como artista
circense, lo mismo que sucederá en dichas fiestas privadas en donde ella
siempre resulta ser el centro de atención.</span></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Muy
pronto la susodicha se verá atraída por tan espléndida y lujosa vida, llegando
a dejar a su marido para convertirse en la amante de uno de esos ricos
burgueses, lo que supondrá para Frau Paula su particular y personal caída a los
infiernos.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">En
el filme se puede apreciar una especie de lección moral en su historia, esto
es, los peligros que acechan a los que se dejan seducir por el lujo y el
esplendor ( el especial atractivo que tiene el estilo de vida burguesa, tal y
como se menciona en los títulos de crédito iniciales del filme ), un hecho éste
que sufrirá sin duda nuestra heroína, la cual debido a sus decisiones
personales, decidirá cambiar su modesta pero feliz vida como artista, por otra
de riqueza pero repleta de falsas apariencias y egoísmo.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Los
diferentes escenarios en donde transcurre la historia, transmiten al filme un
idónea atmósfera, reflejando además del ambiente circense, el modesto hogar de
Frau Paula y Herr Lorio en contraste éste con los lujosos apartamentos
burgueses, combinando así realismo y romanticismo a partes iguales, para un intenso
drama repleto de emociones contradictorias.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">También
se puede apreciar en el filme una cuidada narrativa cinematográfica, compuesta
por medios y algún que otro primer plano, además de pequeños movimientos de
cámara, un trabajo muy estilizado gracias a la labor de Herr Chardynin,
consiguiendo que el filme en su conjunto sea una destacable obra
pre-revolucionaria, aunque lamentablemente dicho filme solamente ha sobrevivido
hasta nuestros días de forma parcial, sobreviviendo solamente su primera parte,
justo cuando la cosa se ponía muy interesante al acontecer una asesinato
accidental en el mismo…</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Y
ahora si me lo permiten, les tengo que dejar momentáneamente, pues este conde
germánico tiene que apaciguar los alaridos teutónicos de una de sus ricas herederas.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Herr
Graf Ferdinand Von Galitzien</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="blogger-post-footer"><a href="http://technorati.com/faves?sub=addfavbtn&add=http://ferdinandvongalitzien.blogspot.com"><img src="http://static.technorati.com/pix/fave/tech-fav-1.png" alt="Add to Technorati Favorites" /></a></div>Ferdinand Von Galitzienhttp://www.blogger.com/profile/12125691436059972287noreply@blogger.com0tag:blogger.com,1999:blog-18289085.post-44561841422583203432013-03-08T22:51:00.001+01:002013-03-08T22:51:51.659+01:00"Pyat Nevest" (1930) By Aleksandr Solovyov<!--[if gte mso 9]><xml>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmGb69siKpBYJkjfVE_ZrQN6hMGeSqF9hJ_E3EMrX6yXh2bMoAEqt7OCUUCAMHUH9Q-0ChllToZlc6IY1arDO57CpwxKz3p7w_U_5aF1VuJiO-QJSIMGVpAoQZATE0tgI2pN2VkQ/s1600/Pyat+Nevest.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="148" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmGb69siKpBYJkjfVE_ZrQN6hMGeSqF9hJ_E3EMrX6yXh2bMoAEqt7OCUUCAMHUH9Q-0ChllToZlc6IY1arDO57CpwxKz3p7w_U_5aF1VuJiO-QJSIMGVpAoQZATE0tgI2pN2VkQ/s200/Pyat+Nevest.jpg" width="200" /></a></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">During the
Russian civil war, the Whites, that anti-Communist force that fought against
the Bolsheviks during that period, capture a Jewish Ukranian village; the gang
commander threatens a pogrom, and will kill everyone in the village unless the
inhabitants agree to give to the White Officers five virgin girls in wedding
dresses. Under such terrible pressure, the Jewish council of the town decides,
full of sorrow and despair, to sacrifice their daughters to the drunken
officers but fortunately and just in time, a detachment of partisans that
belong to the Red Army, comes and frees the village.</span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">“Pyat Nevest” (
Five Brides ) was directed by the Ukranian film director, Herr Aleksandr Solovyov
in the silent year of 1930. </span></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Although the
film is incomplete, the film narrative loses none of its power and emotion as
Herr Soloyov builds the pace to a crescendo.<span style="mso-spacerun: yes;">
</span>There is much tension in this drama wherein the helpless villagers are
at the mercy of the unmerciful Whites.</span></div>
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<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">The scenes
showing the terrible proceedings of choosing the five victims captures a sense
of isolation and despair and runs parallel to the partisans making their plans
to free the village. Standing out, as always, is Herr Amvrosi Buchma, one of
the best Ukranian silent actors.<span style="mso-spacerun: yes;"> </span>Of
course the story ends happily thanks to the liberating Red Army (of which Herr
Solovyov was once a member).<span style="mso-spacerun: yes;"> </span>The
contrast between the different groups in this terrible time of civil war makes
for an interesting cultural drama as well</span></div>
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<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">And now, if
you'll allow me, I must temporarily take my leave because this German Count
must get rid of five wedding proposals from some of his Teutonic heiresses.</span></div>
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<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">Herr Graf
Ferdinand Von Galitzien</span></div>
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<span lang="EN-US" style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">-/-</span></div>
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<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Durante
la guerra civil rusa, los Blancos, esas fuerzas anticomunistas que lucharon
contra los bolcheviques durante ése periodo bélico, capturan un pequeño pueblo
judío ucraniano; la banda asaltante amenaza a la población con un nuevo
pogromo, esto es, asesinar a todos sus habitantes; éstos podrán evitar la
masacre si entregan a los oficiales Blancos a cuatro jóvenes vírgenes vestidas
éstas con un atuendo nupcial.</span></div>
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<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Bajo
tan terrible presión, se reúne el consejo de los viejos sabios judíos del
pueblo, decidiendo no sin gran desesperación y dolor, entregar finalmente a
cinco de sus hijas a los ebrios oficiales Blancos; afortunadamente y justo a
tiempo, un destacamento de partisanos, pertenecientes éstos al Ejército Rojo,
liberarán el pequeño pueblo judío.</span></div>
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<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">El
filme “Pyat Nevest” fue dirigido por el director ucraniano Herr Aleksandr
Solovyov en el año silente de 1930.</span></div>
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<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Aunque
incompleto, en el filme se puede apreciar una poderosa narrativa
cinematográfica, repleta ésta de ritmo y emoción que Herr Solovyov dosifica muy
bien para de ésta forma mantener la emoción implícita en la historia del filme,
un drama “in crescendo” el cual transcurre en un espacio cerrado y claustrofóbico,
en un pequeño pueblo judío bajo el dominio de los inmisericordes Blancos.</span></div>
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<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Al
mismo tiempo que en el pueblo transcurre el terrible dilema de la elección de
las cinco jóvenes que deben ser “sacrificadas” a los oficiales Blancos, escenas
éstas en las cuales Herr Solovyov muestra la emoción y el drama del momento con
gran fuerza cinematográfica, en donde la incertidumbre y desolación se
entrelazadan, destacando en las mismas y como es habitual, Herr Amvrosi Buchma,
probablemente el mejor de los actores silentes ucranianos, se muestran los
preparativos de los partisanos para liberar el pueblo, la perfecta
contrapartida del filme para la liberación del pueblo y lograr así un final
feliz gracias al liberador Ejército Rojo, un hecho éste que el director conocía
muy bien, al haberse enrolado el mismo al Ejército Rojo durante sus años mozos.</span></div>
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<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">“Pyat
Nevest” es un buen filme con interesantes y convergentes elementos dramáticos y
culturales, poniendo especial interés Herr Solovyov en destacar la especial
idiosincrasia judía en contraste con el inmisericorde comportamiento de los
Blancos, dos estremecedores y antagonistas grupos inmersos en la vorágine de la
guerra civil rusa.</span></div>
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<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Y
ahora si me lo permiten, les tengo que dejar momentáneamente, pues este conde
germánico tiene que eludir cinco propuestas matrimoniales provenientes éstas
del mismo número de herederas teutónicas.</span></div>
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<span style="font-family: "Franklin Gothic Medium","sans-serif"; font-size: 12.0pt;">Herr
Graf Ferdinand Von Galitzien</span></div>
<div class="blogger-post-footer"><a href="http://technorati.com/faves?sub=addfavbtn&add=http://ferdinandvongalitzien.blogspot.com"><img src="http://static.technorati.com/pix/fave/tech-fav-1.png" alt="Add to Technorati Favorites" /></a></div>Ferdinand Von Galitzienhttp://www.blogger.com/profile/12125691436059972287noreply@blogger.com0tag:blogger.com,1999:blog-18289085.post-4425311038669179402013-03-05T09:33:00.001+01:002013-03-05T09:36:14.331+01:00Remarkable Silent Quotes<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjadQepFkAFAsOa6gFP9VVYnHwO-zl5LypEpOm7tApBP7Bbt8ASfDVtZl1zAIH57Xb57sqegpK3-B-lpgsA91NfhdIBZMfu6RZBZWxhg2RJ8pjY_qToyJYb8rF3jQn_Zj_lbOaPAA/s1600/Pyshka.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjadQepFkAFAsOa6gFP9VVYnHwO-zl5LypEpOm7tApBP7Bbt8ASfDVtZl1zAIH57Xb57sqegpK3-B-lpgsA91NfhdIBZMfu6RZBZWxhg2RJ8pjY_qToyJYb8rF3jQn_Zj_lbOaPAA/s200/Pyshka.png" width="200" /></a></div>
<span style="font-size: small;">Dictionary of Russian synonyms...</span><br />
<span style="font-size: small;"><br /></span>
<span style="font-size: small;">-/-</span><br />
<span style="font-size: small;"><br /></span>
<span style="font-size: small;">Diccionario ruso de sinónimos... </span><br />
<span style="font-size: small;"><br /></span>
<span style="font-size: small;">( From Herr Mikhail Romm's "Pyshka" (1934) )</span><br />
<span style="font-size: small;"><br /></span>
<span style="font-size: small;">Herr Graf Ferdinand Von Galitzien</span><div class="blogger-post-footer"><a href="http://technorati.com/faves?sub=addfavbtn&add=http://ferdinandvongalitzien.blogspot.com"><img src="http://static.technorati.com/pix/fave/tech-fav-1.png" alt="Add to Technorati Favorites" /></a></div>Ferdinand Von Galitzienhttp://www.blogger.com/profile/12125691436059972287noreply@blogger.com0